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 ARCHIVED TOPIC: BIRTHING 1850


Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/184166/2

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Jonnycake White - Posted - 08/13/2010:  09:16:33


Dan, how do you get any work done with those acrylic nails glued on? I guess that's why my picking will never sound as good as yours.

DanKnowles - Posted - 08/13/2010:  17:53:31


Jon,
Thanks for the compliment. I've been wearing those acrylic nails for about 15 years and I'm quite used to them now. At first life with nails was quite interesting. Look at Dolly Parton's sometime. About the only problem I have with these is typing on this tiny notebook keyboard. I often catch the key just above the one I'm aiming for. It makes for some very strange spelli8ng at ti8mes.

DanKnowles - Posted - 08/13/2010:  18:23:50


rimir

This post starts the making of the rim. Here is how rim building will proceed.
Mold making.
Wood milling, (this will include all of the cutting and thicknessing of the timbers)
Scarf joint cutting.
Timber steaming
Rim bending.
Rim gluing.
Rim scraping.
Rim dimensioning,
Layout of all mortises and bracket shoe holes.
Bracket shoe drilling.
Neck mortise making.
Sanding & scraping.
Finishing

So although in this post I will be starting with the mold making, there will be many other jobs to follow in the completion of the rim. Though these tasks will roughly follow in the above order the posts may or may not follow this same pattern. I may intersperse neck construction or perhaps hardware making depending on which job I decide to do as I attempt to finish these instruments in a reasonable amount of time.

My first job is laying out the outside diameter of the mold. The existent rim averages 11 ¾” OD. Its Id is around 11 5/8”. This less a smudge hair for metal sheathing will be our mold OD. Here I’m laying out the walking beam compass for half of that measurement.



Drawing the circles on ¾” plywood.



I need two so here ya go.



Cutting on the ole’ band saw.











Steven M - Posted - 08/14/2010:  00:01:48


Wow, that is a steady hand!

Carl Ball - Posted - 08/14/2010:  09:36:48


quote:
Originally posted by Steven M

Wow, that is a steady hand!


+1
You can sure tell I didn't do it.

DanKnowles - Posted - 08/15/2010:  17:55:10


Fellers,

Look real close in the fourth photo...
See my hand tremble!
I'll be back with more tomorrow.
Dan

Green_98 - Posted - 08/16/2010:  07:26:17


Holy crap, wish I could cut that perfect with a band saw

DanKnowles - Posted - 08/16/2010:  19:13:26


II MOLD 8:15

Here we are, continuing with the rim mold making. Hopefully this sucker will go together easy and work great!

…We’ll see.

OK, continuing with the cutting… perfect circles... only his barber knows...





Here is the two mold pieces with a piece of aluminum flashing material. I’m trying to make this wide enough to roll two rim pieces on one mold. It feels like it might be a bit flimsy.

.

I rolled it around one mold piece and clamped it.



Then taped it and banged in a mold piece.



Held it in place and screwed it together.



All screwed together. I’m not happy with this it is not sturdy enough.



After tearing it apart I substituted a piece of 4” wide aluminum wrapped several times around the mold and added blocks to keep it up off of a table while working. This feels very sturdy and I feel much better about the whole thing.



vtbanjoplayer - Posted - 08/16/2010:  19:17:14


Nice work Mr. Knowles.

Matt

DanKnowles - Posted - 08/16/2010:  19:33:18


Thanks Matt.

DanKnowles - Posted - 08/17/2010:  18:26:52


1st. RIM

Hay there, tonight at long last I’ll start really Building these Jacobs reproductions. Well perhaps what I should say is rather that now I get to start the woodworking part of the building of these banjos…

Ya!

First of all I dug through m stock of maple. I am looking for timbers that do not exhibit much (if any) figure. If you remember the photos of the original banjo’s rim the wood was rather plain. This is what I am looking for. I also want a piece which I have had in inventory for as long as possible. The aging of the wood makes it harder and more brittle. If you have ever tried to drive a 16 penny nail into an old two by four you will understand just what I am talking about.

So with this in mind I went digging. I usually have several hundred board feet of maple in stock at any time. It’s kept up in a upper cabinet of my shop where it stays warm and gets really dry. I so enjoy digging and visiting with these friends. So much so that I plumb forgot to take any photos of my searching. Needless to say though, the shop floor was covered with wood. The difficulty with this search was that most of the maple which I own is quite figured. I’m a wood miser and I’ll buy almost any beautiful piece which I find. Any how after several hours of looking, raping and sighting I found just the piece that I needed for this project.

First I planned how I would work up this piece of maple. It is first cut in around 4’ lengths. Then it is ripped on the band saw to 3 ½” width.





Then the planks are ripped to around 3/8” thick.



Next using a thickness plainer they are thicknessed to .220”.



Now the real hand work begins. Using a cabinet scraper I take off about .010” of material, giving me a final thickness of .210”. If you have ever attempted this you know how long this takes. Still I want to replicate the work done in the 1850’s on this project as much as is practical. Most likely the original wood would have been scraped. Close inspection of the original shows no scratches from glass paper or sharkskin.





Rowland - Posted - 08/17/2010:  18:38:14


gotta love that attention to detail . . .'nice to have that much lumber to choose from too.

DEmery - Posted - 08/17/2010:  19:25:17


Dan the non figured maple is just right for the project. It will too give you a clean sheet to work with when it is time to age the 1850. Look forward to watching it go from plank to rim. David E.

DanKnowles - Posted - 08/17/2010:  19:28:26


Brad,
Thanks. I've been quite fortunate in that I live in an aria where much of that lumber is produced. Most of the wood I have came directly from the sawmill or the wood dryer. I know most of the folks who run mills in this region and they hep me with my craziness. One of my more favorites for foreign & domestic hardwoods is in Paducah, KY, Distinctive Building Products.

trapdoor2 - Posted - 08/17/2010:  19:40:16


I love working with scrapers. I'm always amazed at the lovely finish one gets and how much control you actually have...and how much stock you can remove if you're not careful!

I want to build a shaving horse for these jobs. I think setting up out under a tree in my backyard and making chips would be a great thing...as long as it warn't 100 deg. or raining...or both!

DanKnowles - Posted - 08/17/2010:  20:00:42


David,
Thanks...

Marc,
I'd like to have a shaving horse too. I look at some of the old timers and I'm sure I could make one... so much to do and so little time.

Bob Robert - Posted - 08/17/2010:  23:20:38


quote:
... so much to do and so little time.



I know the feeling. I'm pretty sure that the Good Lord will give me a shop when I get to Heaven. Then I'll have time to learn and do all the stuff I want to do. And I'll even have more time to play my banjo! Can't wait!
In the mean time, I'll have to muddle through with the meager tools and skills that I have, and with watching Dan and others do it.

Bigwrench - Posted - 08/18/2010:  04:27:56


I cant wait to see the Rim Building Process !

DanKnowles - Posted - 08/18/2010:  17:45:51


Soon son, Well roll them soon!

DanKnowles - Posted - 08/18/2010:  17:59:44


ARFF N' SCARF

Well folks, today is scarf joint day. That’s right get out your joints and scarf them… but please don’t inhale! We want no cut fangers…

What you ask is a scarf joint? Elementary dear Watson…

The scarf is a elongated V shaped cut allowing us to join two pieces of wood side by side and still maintain the same thickness. It is a long feathering lap joint. Most banjo & drum rims are made using this joint.

Our Jacobs banjo had a 3” long scarf. so we ar going to make ours the same. Here is how it’s done.

First I measure and mark the timber 3” from its end. Then I mark a squire line at that point.




The board is securely clamped to the bench and using my Granddad’s Stanley #4 bench plane I begin to cut the taper.



The using a block plane I refine the taper.



Because I am making several rims here, I scrape another one.







Then lay out for another scarf…



Do you notice the difference between this photo and the one that started this post?





DanKnowles - Posted - 08/18/2010:  18:00:15


vtbanjoplayer - Posted - 08/18/2010:  18:14:25


You cant see the body of the clamp behind you

jbalch - Posted - 08/18/2010:  18:52:16


Dan:

Looks to me like you've got such a steady hand...that you perform that operation EXACTLY the same way every time.

Or...maybe it is like the panoramic photo they made at the 1992 Tennessee Banjo Institute....where Bela Fleck and Pete Seeger are on both ends of the same picture. Must be some kinda trick.....


Edited by - jbalch on 08/18/2010 19:01:27

Paul R - Posted - 08/18/2010:  19:13:17


Same photo, cropped. (Don't tell us you cropped it with one of your woodworking tools!)

The problem with your posts is that I keep wanting more! Can't wait!

I think you're teaching patience, too.

DanKnowles - Posted - 08/18/2010:  19:26:25


Carl Ball - Posted - 08/19/2010:  12:00:48


Does appear to be the same piece of wood.

dubtom - Posted - 08/19/2010:  15:41:55


quote:
Originally posted by Carl Ball

Does appear to be the same piece of wood.



Pfft,now that's just silly, he already put a scarf joint on the first one






DanKnowles - Posted - 08/19/2010:  17:36:02


Twaz da same one! Photo that is!

DanKnowles - Posted - 08/19/2010:  17:51:21


SCRAPIN' & SCRAPIN'

I was going to tell you that today is Bill Clinton’s birthday…but I won’t. Or that he is 64 today… won’t do that either. Not that it matters. Still it was on the news as I write this. It’s interesting the useless information that is passed off as news. Lord a mercy I’m a Newsman now!

Instead I’ll go ahead and let you in on the very last bit of timber scraping and then soon, very soon we’ll go ahead and roll those rims… As a little side note last night I read Ben Franklin’s speech recommending the acceptance of the constitution back in 1787 and it was printed with his original spelling. He spelled very as verry. I like that; it’s more intense than the modern way… I can almost feel the word jumping off the page.

OK on to work.

Here is another piece of maple clamped in ready for scraping.



I’m using a cabinet scraper it’s an very old tool which looks sort of like a spoke shave but holds a scraper blade. The sole on the bottom helps keep the object true, helping keep the possible dips and hollows from happening.



Here I’ve changed to a plain ole scrapes, it’s a Sandvick brand scraper and is one of my favorites.





Complete!

DEmery - Posted - 08/19/2010:  18:04:08


Rooll theem riims Dann. Spelling by Abe. David E.


Edited by - DEmery on 08/19/2010 18:04:44

BNJOMAKR - Posted - 08/19/2010:  19:10:27


Dan, I keep waiting for someone to point out the worm holes, and since no one has, I guess it's my job! About 35 years ago, I built a wall clock out of mahogany. A neighbor saw it, wanted one built for his wife for their anniversary. I went to a local lumber yard and bought some wormy maple, and built the clock. The worm stain pattern was really unique. I offered my neighbor my mahogany clock instead, but he wouldn't bite! I guess he liked the wormy maple pattern too! The worm hole stains will add a special touch to a special banjo!
Marvin

Ronnie - Posted - 08/20/2010:  06:55:55


Dan, years ago I filled the worm holes in that old Ashborn guitar coffin case with Plastic Wood and gave it a coat of flat black enamel. I wish I had left it alone.

dbrooks - Posted - 08/20/2010:  18:09:27


Dan, another great thread. I can barely keep up since I have been able to log in only occasionally.

Your attention to detail and exquisite preparations lead me to a related question about your fine playing. Do you do similar prep work to work up a tune or does it all come naturally to the well-developed artistic, risht side of your brain?

David

DanKnowles - Posted - 08/21/2010:  19:00:01


David,
As ole' dan sez....OK, OK...
here goes.

Marvin,
Shucks I kant git nothin' pass yer agle i.
Tis a worm hole with a bit of stain. Yes I'm going to leave it on one of the rims. Remember (at least I think I wrote this earlier) that we will be rolling 4 rims. By the way if you are interested in one of these banjo ask now they are going quick.

Ronnie,
Bring that case by the shop sometime and perhaps we can bring it back. At least we can look at her and dream.

David,
In regards to my playing, yes I work things up. When I perform on stageI always have a totally worked up break for every tune I'm going to play during the concert. This is because I don't always have the improv. muse watching over my shoulder. Some nights Improvisation seams to flow naturally and then I go with it and walk the knife edge. But because I feel that as I professional musician I owe my audience a good performance I go on stage fully prepared. I even practice my banter. I want it right and I want it good.

I try to have most studio stuff fully prepared also. Some sessions I don't know in advance what I will be required to do and on those occasions I improvise either fully or using my bag of lick tricks. Contest pieces are also worked out. One great exception to that was when I won the Nationals. During finals (in the final playoff round) I felt like playing Home Sweet Home. I had never in my memory played the tune before. It just seamed the right thing to do. I was lucky it worked and I won.

dbrooks - Posted - 08/21/2010:  19:15:20


Dan,

Thanks for taking a break from birthing these new 1850s to address my question. Your answer generally meets what I think I expected except for the "Home Sweet Home" story when you want the national clawhammer title. That had the same suprise factor as your creating a tear in the skin head and breaking the tailpiece of the Jacobs banjo so you could repair it. I guess I shouldn't have been surprised at being surprised, huh?

David

K-Lane - Posted - 08/22/2010:  12:27:27


Hey Dan, I've been watching your postings on the forum for a while. Love your work and appreciate the detail you put into you posting, thanks. I ask on one of your other discussions, but thought I would try and catch you here as well. Do you or would you consider teaching someone how to build a banjo? I'm a complete novice, but would like to try my hand at building my own. I am looking for an instructor to walk me through it.

Thanks..

jbalch - Posted - 08/22/2010:  14:43:51


Dan:

That was a fun time when you won the national Championship at Uncle Dave Macon Days. I remember your performances that night. The judges called a tie ... a very rare occurence at our festival. Truth is (I think) ...they just wanted an excuse to hear more great music. Home Sweet Home must have been the right selection.



jay_m - Posted - 08/22/2010:  22:28:49


i love dan knowles threads. they are what the internet was made for.

im currently working on a stichter copy, based on drawings i made from the original at bollman's house. deciding which details to jettison in order to prioritize playability over historical accuracy (or whether to side with accuracy over playability) is turning out to be quite a struggle. makes me appreciate this thread even more.

jay

DanKnowles - Posted - 08/23/2010:  07:42:55


David,
You are welcome, I just hope that that stuff helps.I will admit I didn't expect anything that year at UMD. It was all a welcome surprise to me.

John,
That was a nice day wasn't it. I think it was your advise just before I played that last round that did it though.

Kevin,

It's interesting that you should ask about banjo building classes. I am currently discussing doing a seminar building banjos pretty much li8ke this one, In October or November in Paducah, Kentucky at Distinctive Building Products.

Jay,

I think the major issue which I would change on these old banjos is neck angle. Most which I have seen have no neck angle. I don't know if this is a issue of them loosing angle over time or if they were made that way.


BTW

I have been in studio all weekend and have not gotten my regular posts together... I'll try to get one out tonight (Monday).

Ronnie - Posted - 08/23/2010:  07:58:36


Dan, that Ashborn case should be easy for you to replicate if you need one for your parlor guitar project. Yellow poplar and as Ashborns go, one size fits all.

trapdoor2 - Posted - 08/23/2010:  08:29:03


quote:
Originally posted by DanKnowles

Jay,

I think the major issue which I would change on these old banjos is neck angle. Most which I have seen have no neck angle. I don't know if this is a issue of them loosing angle over time or if they were made that way.
My opinion is that the bulk of these old banjos had no angle at all from day 1. We have that "5/8" bridge X 3 degrees" ingrained into our brains from modern banjos...so it is hard to accept that "Flat is where it's at" until steel strings became "normal".

Of course, there are lots of exceptions...always are. Still, with gut/nylon there is little need for much of an angle at all. I wish I'd been smart enough to ask for "flat" on my Flesher...she currently has a 1" bridge on her, which is damn near too tall for my poor ol' R/H.


Edited by - trapdoor2 on 08/23/2010 08:29:45

jay_m - Posted - 08/23/2010:  09:41:03


Agreed. From what I have seen, they were mostly made flat, or near flat. But because so many of the early ones were made with unsuitable woods that have since warped (rims bent out, necks bowed up, etc.) it can be hard to tell. I have personally been diminishing neck angles on the instruments I've been making of late. I used to be at, or even above 2.5 degrees on everything , but have since come way down. Flat definitely doesn't feel right for me, but even 1 degree can work nicely on minstrel banjos, depending on the instrument.

trapdoor2 - Posted - 08/23/2010:  11:00:50


No less than S.S. Stewart advocated "flat" for his banjos in his writings. Banjo hacks have been "recutting" Stewart necks for years, thinking they "pulled forward" (not that some necks didn't warp). They simply were designed for different strings and a different playing method. Same goes for the earlier banjo types.

I'm right there with you though. I think something around 1 degree ought to be optimal. I'm restoring (ok, "polishing up") a Stewart "American Princess" at the moment and she has just a "slightly less than flat" cut...probably just less than 1 degree. I think she'll string up perfectly with nylgut and a 1/2" bridge, no cutting required.

I'll have to check my Hartel Ashborn tonight. I suspect it is flat...but I've never bothered to notice or check.

DanKnowles - Posted - 08/23/2010:  18:25:30


This neck angle discussion is quite interesting. I know on Paul's Jacobs, playing much above the 7th fret pos. becomes quite difficult. Most minstrel music does not usually go much higher, still I like to be able to play in tune on a fretless instrument even above the octave pos. Because of this I like to opt for some neck angle. If I were making for absolute historical accuracy I'd flatten it out. But usually I am building for modern players who desire and are used to a different action. Most of the time playability is where I get compliments from my clients. Still Marc, if you ask me nice, to I'd be proud to make you one perfectly flat.

DanKnowles - Posted - 08/23/2010:  18:32:43


STE STE STEAMIN'

Howdie, Horray it’s rim rolling day!

This is how it will go. First we set up the steaming and bending equipment outside in front of the shop. This includes: the steam chamber, the boiler and the mold.

I am privileged on this post to introduce my friend Tommy Ogle, who besides being a fine old-time banjo picker, recording artist, sanger (not singer, he understands this), gun finisher and upright bass player is a insipient (look that one up Tommy) rim roller. I’m quite sure this job would have been impossible without his help.

The steamer is fired up, and the steam box is brought up to temperature, approximately 210 degrees. All of the pieces of wood are placed in the steam box and steamed for a minimum of 20 minutes. We went back inside and kicked back and waited.



Here we are with the first rim that we are rolling. I guess this is #1 of 4. Here we have just pulled it from the steamer and are preparing to roll it.



We didn’t get many good photos of this rolling. Once the wood is pulled from the steam box it is moving as fast as you can, no time to fool around. The wood will loose is limberness quite quickly.

Anyway, here the rim has been rolled and clamped into the mold. I am knocking it into evenness. The timber wasn’t quite exactly true.




Clamping some more.




I tried to quickly get the wood to set to shape by using the heat gun. We later figured out that this was a useless thing to do.



Here’s Tommy looking through our first rim just pulled from the mold.






DanKnowles - Posted - 08/23/2010:  18:37:53


Ronnie,
Thank you for the offer. When (if I ever) get around to restoring the Ashburn, I may give you a holler. Sometimes I think it may be one of those projects which will be inherited by my younguns when I vacate this life.

jay_m - Posted - 08/23/2010:  19:24:57


hey dan, can you talk about the rim rolling process you used a little more?

Will1717 - Posted - 08/23/2010:  19:32:23


Dan:

That's not fair! I counted four hands rolling that rim!

Bill Rickard

K-Lane - Posted - 08/23/2010:  20:56:03


Dan, Thanks for the info, Keep me posted on the dates and time for your Paducah seminar. Sound like that would be a good place to start.

Jonnycake White - Posted - 08/24/2010:  08:24:16


OK - let me see if I've got this straight: You cut the taper for the scarf joint in only one end of the wood blank. Then you steam it. Then you cram the tapered end between the form and the compression strap - presumably the strap is fastened to the form. You clamp the other end of the strap to the blank with a vice grip clamp. Presumably this is in the waste area of the blank. Then you roll the form by hand and clamp the free end of the blank to the form. Is that about right?

Where and when do you cut the other part of the scarf joint - on the inside before gluing, or the outside after gluing?

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