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This is a "just for your information' kind of post, in case anyone was wondering what had happened to it.
Probably most of you know that after Eddy's death the banjo went to our dear friend and much-missed contributor to this forum, Tony Lombardo. I've been absent from this site for too long, and can't remember his forum name - I'm sure one of you will remind me?
I was deeply saddened when Eddy died. He had been very encouraging to me, and I loved what he left for us - many great recordings, videos and memories. Tony had been friends with Eddy and his wife, and told me that when he was in New York he paid her a visit to wish her all the best. It was a great and touching surprise for Tony when Eddy's wife arranged it through lawyers to bequeath the banjo to him. It really stunned him.
My main contacts in the tenor-banjo world were Eddy and Tony, so I was a distraught when I got a lawyers email saying Tony had died, and totally floored when he said Tony wanted me to have the banjo! That was some time ago, and I'd heard nothing. Suddenly another email came from the lawyer, and the banjo arrived in Edinburgh just three days ago.
What can I say? It's a superb banjo, best I've played. I cleaned it up and put on new strings, and heard the banjo sound I'd been searching for all these years. It plays beautifully, and has a very warm sound with clarity. The plastic-like semi-resonator on the back is of course something only Eddy could come up with, and I'll leave it in place. There being no dowel rod, it serves to hold in place an old tee shirt for midnight playing!
Some of you know I had my own near-death experiences (yes, more than one - four altogether!) two and a half years ago, and am only now getting back to playing. The banjo has arrived at the perfect time, and with lots of warm memories associated with it. I hope to work up something for YouTube in the coming weeks, which I'll share here. I of course don't play like Eddy and Tony, so I'll be doing my own thing, but after all that is what they both encouraged me to do. Despite that, I can't help feeling "I'm not worthy!" Certainly my playing is nowhere near where it used to be.
If you have any questions about the banjo, I'll do my best to answer them.
PS Nice to be here again!!
Edited by - Rob MacKillop on 10/23/2026 06:57:44
Hi Laurence, nice to hear from you too.
My understanding is that Eddy always preferred open-backs for weight reasons, but occasionally he needed more volume. This solution gave him “just enough” volume to be heard in an ensemble. He of course had more than one banjo, though, so probably had full resonator banjos available for when needed.
It seems Tony’s name here was Compass56.
I just found a discussion about Eddy’s banjo here: https://www.banjohangout.org/archive/390343
Edited by - Rob MacKillop on 10/23/2026 10:15:59
Thanks, Rob. Several years ago when I was gigging a lot more and still in New Orleans Tony and I talked quite a bit and had a short hang on one of his trips to New Orleans. He was a genuinely nice and curious guy, extremely humble and gracious. A real loss. Wish I could help you on finding whoever made the banjo. I'm out of the loop.
Cheers, Hail. I never met him - I live in Scotland - but we were in touch via email. My memory is shakey, as I suffered memory loss when ill, but if I remember correctly he had been told at one point he only had a couple of years to live. So his time was precious, and I’ll bet he enjoyed talking to you.
Rob, the old Ome banjo people are still active, as said by Jerry. They can be found through these websites:
starrbanjos.com
odebanjos.com
The one and only time I met Eddy—a truly legendary encounter—he told me that he had modified the back of his Ome banjo’s resonator, using the bottom of a small trash can. He also mentioned that his bandmates nicknamed his banjo (or perhaps its case) "the turtle," on account of its short neck. These are just a few, yet indelible, memories of a great musician and a truly wonderful human being. As for Tony, I can say that he shared a particularly intense musical connection with Eddy—and, as it happens, a rather similar temperament, too. I miss them both dearly. R.I.P. together, forever!
Wow, Tony is gone too! I use to communicate with him. Eddy was a great loss as well. I was puzzled by what Eddy did to his Ome tenor, considering the cost of Omes. He knew what he was doing to the Ome, it appears. I have an Ome Silver Monarch, always my favorite for performing .I am happy someone like Rob got Tony's banjo. It was nice to see Hail Dixon posting, after several years away. Jim
Sorry for blurting out that Tony had gone, Jim. I've been away from here for a few years, and thought everyone would have known.
Eddy made his living as a working musician, week in, week out, and in that situation your instrument becomes a working tool, and you need it to do what needs to be done, and sometimes that means doing things to it that most players wouldn't dream of doing to a quality instrument.
I've been playing it quite a bit today, and I have to say I absolutely love it...but I'm not playing concerts, so have no need for extra volume.
I had an Ome Mogul for a while. Great instrument too, but I feel more relaxed playing Eddy's.
Apparently Tony’s last video, and using this instrument. I have to say I find it very, very moving. He knew he didn’t have long.
https://youtu.be/a7zYctOwVho?is=dJomMA_p7BXdwyTq
Edited by - Rob MacKillop on 10/23/2026 15:45:01
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