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I imagine that most of you have experienced this...at sessions...like at a festival...you will often see only one banjo player...but you are fairly likely to see plenty of sessions with more than one fiddler...sometimes a lot more than one...why is this? where did this "only one banjo per session" tendency originate from?
I go to a weekly session with as many as 5 fiddlers...me on banjo and a guitar player...one fella kinda alternates between fiddle and banjo...when he takes up his fiddle that can mean as many as 6 fiddlers...so sometimes I am the only banjo player...but when there are two of us on banjo I have found myself playing almost exclusively in the 3rd position...the other banjo player pretty much lives in the 1st position...and that 1st and 3rd arrangement seems to work well...but this seems to be the exception to the rule
But the only one banjo player thing...that I am curious about...I recall once at Clifftop...I joined a session where I saw a friend...they welcomed me cordially...and the fella who was playing banjo put his banjo down (he shall remain nameless here...but he was a very renowned banjo player) and when he was asked why...he said something about deferring to "our guest"...meaning me
is it that fiddlers are more in sync? or working to be in sync?
Just curious...no bruised ego or anything...thanks
A lot of banjo players I know - including myself and my wife - tend to prefer to be the only banjo player in a small session, mostly because of the sonic space the banjo occupies in the ensemble sound. Multiple fiddles (up to a point), with their continuous sound, tend to blend better, but banjos, with their more staccato sound with relatively short sustain, can easily muddy each other’s sound. Unless their timing is precisely locked in, with a similar attack, it’s easy to “step on" each other. There are exceptions to this problem, for instance, if one banjo is playing in a higher register up the neck, especially if one player is fingerpicking while the other is playing clawhammer, it can be a really nice sound. Or as my wife and I do sometimes, one of us plays in the usual range, while the other plays our Jere Canote tackhead banjo with nylon strings tuned about a fourth down, in a different tuning , e. g., regular banjo in standard G tuning (gDGBD) and tackhead banjo tuned down in double-G tuning (dGDGA). The combination of tonal differences and different but overlapping ranges can sound really great, and the other players often comment on that appreciatively.
But several banjo players playing in the same range in a small session, unless they are listening closely and leaving sonic space for each other, can too easily sound like jangling fistfuls of silverware, muddying up the whole session. On the other hand, in a big group session, with multiples of many instruments, all bets are off! Whether it’s a big session at a regular jam, or a “love jam” with a group of old friends on the last night of a festival, the social and party aspect is more important than exquisite sonic perfection! As always, YMMV.
Edited by - BrendanD on 10/14/2026 15:13:23
We've jammed with 2, sometimes 3 banjos. As long as they understand that they are loud and tone it down until it's time for a break, there's not a problem. It's the hotshots that think only they can do breaks and tend to butt in on other's breaks .... t hat's what breaks up jams!
We had one of those hotshots once in our jam. He played loud backup and immediately jumped in for breaks even though he didn't get the nod. He was talked to and asked to tone down the backup and take turns with the other banjo(s) on breaks. He was eventually asked to leave the jam as he refused to be a team player.
quote:
Originally posted by Old HickoryYes, the sound of multiple banjos can be not what some participants want to hear.
I don't live in the old time world, so I have no solution. Only a question:
Is it an open session or a band rehearsal?
That is a false dichotomy, as it often neither.
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