Posted by raharris on Friday, January 13, 2012
On a Wednesday night in early January Jayme Stone posted here that he'd be playing in Lincoln Center on Thursday, and if anyone in the NYC area would be willing to volunteer helping him to staff the merchandise table, well wouldn't that be grand? I wrote saying that if no one else volunteered I'd be happy to stop by. My thinking was that I'm middle-aged and have a Day Job, so maybe an Young n' Hungry banjo aficionado would be Stone's first choice. Don't know why he picked me, but he did. I was psyched.
Lincoln center has maybe a dozen venues, some large, some very large. Others are small, and some are smaller. I'm afraid this was one of the latter. I'd seen the Carolina Chocolate Drops in a beautiful LC venue, a small theater with a floor-to-(very high)ceiling glass wall behind the stage. The Molly and I say in the second row of tables, dead center. At the end of the show Rhiannon announced this would be "the last" CCD concert, as the lineup was changing. While Justin Robinson did leave the band it's my understanding the the CCD are still going strong with Adam Matta and Hubby Jenkins joining Rhiannon and Dom.
He instructed me to show up at 7:30 for an 8:30 show, and I was (uncharacteristically) right on time. I rang him up and he came down to show me the CDs and instruct me as to what makes them each individual (original songs, influenced by Western African music, based on dance tunes from around the world) and what makes them all the same ($15 per). Please have people sign the mailing list. Postcards are free.
Stone is a very nice guy, is Canadian (Toronto) and is unforgivably thin. I want to see what he looks like when he's my age! But for a guy as young has he is he has to Juno awards, an incredible breadth of playing styles, and a nice stage presence.
Back to the venue -- this was a free show in the Rubenstein Atrium, a large but narrow hall running between Broadway and Columbus at 63rd street. Many of the attendees came specifically to see Stone; when I got there an hour before the show the seats were nearly filled. Some of those who came later just wanted to see whatever free music was on tap, and some clearly just wanted to get out of the cold. Everyone had a good time.
The show was centered on the music of his latest album, Room of Wonders, which features tunes based on folk dances from around the world. He brought with him a cellist, a bass player, tenor sax/clarinet, and drums. I'm a big cello fan, and this guy was really good. Oh, and the banjo player: he was good too! The music ranged from dance tunes originating in Bulgaria, Italy, and points around the globe, a bit of Bach (it's the fashion, doncha know?!) a few bluegrass tunes and the President Garfield version of Blackberry Blossom. Yeah, don't ask. Finished up with a bee-u-ti-ful version of the Tennessee Waltz. I'm not a dancer but if my wife had been there we'd have at least swayed, stomped about or something.
Lot's of people signed his mailing list, lots bought albums. I didn't count the money, but information management professional that I am I did arrange the takings by denomination, heads up, left-to-right. It was a free show and I was a volunteer, but at $30 for the albums I bought (he threw in the third for free) $35 (plus tip) for parking the the $5 cuppa coffee it turned into one expensive, free, volunteer concert for me! But it was worth every penny, every second of my time, and I'd do it again in a heart beat. If you get a chance to see Stone, I suggest you grab it. His albums are listed here:
And this is his website:
It should go without saying that I have no financial interest in his career or his album sales. I just met him for the first time last night, and he's probably already forgotten about me!
Gordy Ohliger Says:
Tuesday, February 25, 2014 @7:13:34 PM
Hey Now Robert ~
You write like me...or you're a guy like me.
I very much appreciate what you have contributed here! Thank you. I got a good feeling for it.
And I know what it's like to show up "somewhere" and do a gig. Doing your best. Paying your support band...trying...hoping...
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'Good Sunday Morning' 22 min
'Fender Tenor Banjo' 9 hrs