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That's wild!
I play an RB-180, their 60s long neck with the mastertone tone ring along with a Vega and an ODE. That's definitely and RB-180 neck with the MOP logo and shield and bound fretboard; the RB-175 neck has the gold screened logo and no binding on the fretboard. It's pretty cool that you have a perfect 180 neck! Usually, It's the long necks that get pulverized and folks are left with a pot. The logic of this banjo is baffling--in a great way!
Cheers!
Mark
Decatur, Georgia
I appears that the peghead has binding, indicating that the neck came from the Kalamazoo factory as a Gibson RB-180. That model was equipped with a flat head Mastertone tonering. And like Gibson Mastertone 4-string banjos, the RB-180 is popular for conversions to a more traditional length 5-string.
The new rim design is rather clever. I have seen many creative home-made pots, but this one with the tube screwed to the metal rim is a first for me. It put a functional extra long neck back on a rim and hopefully at a bargain price.
Bob Smakula
smakulafrettedinstruments.com
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