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honest question. we run a bluegrass jam out in Thailand, five years now, and half the circle reads off phones these days (lots of new players mostly, and they eventually wean off).
i keep printing paper books anyway and i'm not totally sure if that's good sense or just me being sentimental (old school?).
the case for paper, as far as i can tell:
no lock screen, no battery, no notification from your sister in the middle of Little Maggie
you can write on it. every book i've printed comes back with pencil on it, which i love
you can hand it to the person next to you. hard to hand somebody your phone
big print beats a 6 inch screen in a dim room
and the case against is just as real, a phone holds every song ever written and weighs nothing, and paper is out of date the second somebody learns a new tune.
i grew up on those old fake books and church hymnals and i think some of it is that i just like the object. a book with our jam's name on it feels like the jam is a real thing that exists, not just whoever showed up.
full disclosure so nobody feels ambushed, i got deep enough into this that i built a tool for making them, bluegrass98.com (window 98 vibes haha). free to use, code LAUNCH50 covers making songbook pdfs for the first 50 folks. it's chords and words rather than tab.
but i'm genuinely asking. paper, screens, or some mix? and if you print, what have you learned about what makes a book people actually pick up?
IF the jam in the OP is an "instructional" jam, then I feel printed copies would be good.
IF it's a conventional (?) jam, then just carry on carrying on, I suppose.
Earl, when I was teaching and kids would confuse (?) right/left I'd often point it out with: "... Your other right* hand."
* or left, as the case may be.
I use a 10" android tablet and Songbook Pro (logo is 2 not3s in b&w).
Advantages I have:
* I can search a song and have it displayed in about 15 seconds. Then I sit and wait a minute or more for the binder people to find the song. Sometimes they got it only one month ago and have not alphabetized it yet
* I have 2000 songs already downloaded
* I can transpose the song to another key in about 5 Seconds
* I never forget the lyrics to the third verse and usually I can tell you who wrote the song.
* I'm ready to tell the entire group what the chord progression is without jumbling it up.
* I can feed the 3rd and 4th verses, at least the first few words to the person that called the song when they forget.
* I can create setlists for multiple gigs and keep them straight. Also handy for maintaining a list of the current songs I'm learning or practicing.
Of course, I have the greatest admiration for people who can remember 200 to 300 songs and all their words. I admire people who can improvise breaks better than me. I admire people who can pick up the chord progression faster than me.
I admire those people but I am not those people. I am myself and my little tablet helps me be the best version of myself.
I recommend to most people to go without any reference materials. It's a good opportunity to learn to hear and feel chord changes.
If I'm learning a new song I don't consider it learned until the lyrics are memorized. The bonus is once it's memorized it's performance ready and can be played on stage or on the fly where a book wouldn't be available or appropriate.
quote:
Originally posted by OwenIF the jam in the OP is an "instructional" jam, then I feel printed copies would be good.
IF it's a conventional (?) jam, then just carry on carrying on, I suppose.
Earl, when I was teaching and kids would confuse (?) right/left I'd often point it out with: "... Your other right* hand."
* or left, as the case may be.
Yeah apparently I don't know my right from my left either haha. I meant watch the guitarists' left hands.
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