I forgot to add the dots. Mark Wardenburg from Tater Joe's has provided a couple of versions HERE.

I LOVE this tune and made a video of it a while ago that I thought I'd share again:

https://youtube.com/shorts/GOyogxtZUDI?si=EtYT3vjXrTLXA65c

I play this (and all my G tunes) in gDGDE tuning - that's especially nice for this tune as I had to go so far up the neck in the B part; I'd have to climb 2 more frets to find those notes in open G.

This is one of those G tunes that a low-bass 6 string would be great for - I used to have one but got a bit sick of the tuning issues. I kind of enjoy playing Golden Ticket in D on a 5 string to keep from having to jump to the high octave.

I learnt a basic version at a jam a while back but hearing these recordings really highlights the full beauty of the tune. Thanks for sharing - lots of homework for me to catch up on!

This is a beautiful tune and played beautifully by all parties above. However I have noticed some beautiful fiddle tunes that are written in recent years are challenging to play on the banjo up to jam speed any time the fiddler lays into that low G string. The banjo then has to jump through some hoops to adjust for not having those low G string notes – go to a chord, or jump way high up the neck, and probably other tricks I am not aware of. A couple examples of other tunes in this category are Henry King's Reel and Little Pine Siskin. Sometimes going up the banjo neck to get the low notes on the fiddle works (Possum Up A Gum Stump) but other times it sounds clunky. I couldn't make out what John Herman was doing with his banjo with at least two fiddles and a guitar in the background. I am curious as to how he tackled it. Anyway as an average to mediocre banjo jam player it would take me a long time to be able to play such tunes anything close to jam speed with that much real estate up the neck. I meet my limitations. How do some of you solve this challenge besides being talented, fabulous players? banjered