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Battle of New Orleans (8th of January)

Posted by MrNatch3L, written by Jimmy Driftwood

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- Play count: 333

Size: 3,925kb, uploaded 3/18/2012 2:23:59 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time

This one needs no introduction I think. Banjo is my ca. 1924 Vega conversion... some 3-finger without picks, some clawhammer.

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Battle of New Orleans (8th of January) - 4 years later

Posted by MrNatch3L, written by Jimmy Driftwood

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- Play count: 100

Size: 3,996kb, uploaded 5/28/2017 12:31:15 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time

Making backing trax for an upcoming gig in Moscow, I started over, having somehow lost my earlier recording. So that was then and this is now. Better? Not necessarily. Just different. Same 1924 Vega Style F conversion.

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Bound for the Rio Grande

Posted by MrNatch3L

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- Play count: 136

Size: 5,597kb, uploaded 5/28/2017 10:28:15 AM
Genre: Folk / Playing Style: Clawhammer and Old-Time

FAIR WARNING: Not Bluegrass. Not Old-time. A traditional sea shanty, with some original arranging and lyrics. Recording from my current music project. Despite disagreements in the folk community about where this shanty was used, it's near unanimous that the Rio Grande referred to is not the controversial one between the USA and Mexico, but rather the one in the southernmost part of Brazil (Rio Grande do Sul). That Rio Grande is not strictly a river, but a 24-mile long channel through a sandbar, enabling ships to reach some inland lagoons and several navigable rivers beyond them. The city of Rio Grande is the oldest city in the state, founded in 1737, and is cited as Brazil's second busiest port today. Banjo is my 1924 Vega Style F conversion. Alternating 3-finger (sans picks) and clawhammer. Guitar is a 90s vintage D35. Concertina is a very nice VST plugin by Best Service audioand upright bass is from the Kontakt 5 basic library. Both played on a MIDI keyboard by yers trooly. Most tracks recorded in GarageBand, remixed in Reaper, mastered with Izotope Ozone 7. I have fun doing this and it keeps me mostly out of trouble.

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Caravan

Posted by MrNatch3L, written by Juan Tizol

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Size: 3,260kb, uploaded 12/30/2006 5:07:30 PM
Genre: Unknown/None Chosen / Playing Style: Bluegrass (Scruggs)

OK folks, this is a bit of History- the band where I got my start in Bluegrass (the term applied loosely to this band). It was a sort of NGR style jam band in the mid-1970s. I wish I could claim the banjo picking here, but I played bass in this outfit. Banjo is the one and only Dr. Tom Adler, Tim Moody on mandolin and fiddle, Dan Vanada on guitar.

We were just a bunch of hippie college kids at the time. This tune was recorded live on radio station WART (yes really!) in Indianapolis Indiana in 1978 when we were featured on their live Bluegrass Hour.

This clip is a partial rendition of the full work intended to demonstrate for BHO members how a 40s big band tune can be adapted to the banjo.

6 comments

Chicken Pluckin' Time (in Petaluma)

Posted by MrNatch3L, written by Greg Connor

 

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- Play count: 272

Size: 3,484kb, uploaded 1/16/2012 2:21:37 AM
Genre: Bluegrass / Playing Style: Bluegrass (Scruggs)

Another gem from one of BHO's most prolific songwriters, Greg Connor. Greg can write a romantic song on almost any subject... here is proof. The first time I heard it I literally almost fell off my chair laughing. This song is one of 2 GC tunes I decided cover in my live banjo set because people I've played it for always get such a kick out of it. So I made this recording as backing tracks. You of course get the banjo and lead vocal tracks here. Since this is ROMANTIC chicken pluckin', I've tried to really schmaltz it up, especially the vocals.

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Farewell to Mims

Posted by MrNatch3L

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Size: 1,726kb, uploaded 2/11/2009 1:52:54 PM
Genre: Unknown/None Chosen / Playing Style: Other

Since nobody has managed to figure out what this tune is, I decided to rename it in honor of our friend Bill (mimspicker). The tune kind of feels like something you might play to say farewell. The tune originally bore a name suggested by Mike Gregory on the post at http://www.banjohangout.org/forum/topic.asp?TOPIC_ID=139585. but I'm sure he will not mind the change of title. You're listening to the All Natural String Band (me and Audacity) with the El Cheapo resophonic guitar, finger and flat picked 25-year old cedar top Takamine acoustic, and my Bishline Heirloom.

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Gentle on My Mind

Posted by MrNatch3L, written by John Hartford

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Size: 3,793kb, uploaded 8/2/2011 1:19:22 PM
Genre: Country / Playing Style: Bluegrass (Scruggs)

An arrangement I've been working on for my live set. Just because I like it.

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Gumtree Canoe (v.2)

Posted by MrNatch3L, written by S.S. Steele

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- Play count: 247

Size: 5,300kb, uploaded 7/13/2014 3:58:25 AM
Genre: Folk / Playing Style: Bluegrass (Scruggs)

Different arrangement done as a backup track for my live set. A little more produced, with some guitars, bass and backing vocal. It's for entertainin' folks in pubs etc. Remixed and mastered w/ some new plugins I bought instead of buying another banjo.

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Me and Julio (Paul Simon cover)

Posted by MrNatch3L, written by Paul Simon

 

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- Play count: 411

Size: 3,320kb, uploaded 8/27/2015 2:24:13 PM
Genre: Bluegrass / Playing Style: Bluegrass (Scruggs)

You've heard it, you know it, but did you know it works bluegrass style? I didn't either. Banjo is a woody. Guitar is a D35. Mandolin is a Samick mystery model. Bass is an old Asian piece of junk (but it's what I have). Mixed with Reaper and Izotope plugins, mastered with Izotope Ozone 5.

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Mr. Bojangles

Posted by MrNatch3L, written by Jerry Jeff Walker

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- Play count: 444

Size: 4,351kb, uploaded 9/19/2011 9:04:12 AM
Genre: Popular / Playing Style: Bluegrass (Scruggs)

I was making some backing tracks for future banjo-centric live gigs. This is them with the banjo and lead vocal unmuted.

4 comments

Old Dan Tucker

Posted by MrNatch3L

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- Play count: 222

Size: 3,650kb, uploaded 5/27/2017 2:45:35 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time

Was making backing tracks for a gig in my home studio, and the mix with the banjo and lead vocal didn't turn out too bad, so I thought I'd put it up here, as it's the sort of thing folks tend to like.

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The D***ed Port Elizabeth Wall

Written/Posted by MrNatch3L

 

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Size: 5,154kb, uploaded 12/29/2016 1:13:01 PM
Genre: Fiddle/Celtic/Irish / Playing Style: 4-String (Tenor/Plectrum)

FAIR WARNING: Some typical sailor language (but nothing close to your average hip-hop radio station!) Original song based on a true story told on Facebook by Gary "Cap'n Fatty" Goodlander, author of "Creative Anchoring" and other books for sailors. I commented that I thought there was a sea shanty in it, but I'm not sure he believed me. Cap'n Fatty has lived aboard sailboats for over 50 years, and he's currently doing his 3rd circumnavigation. This song is about his recent experience in Port Elizabeth, South Africa. He wanted to anchor in the harbor but the port authority wouldn't let him because a big coal ship needed more room to turn to dock. The only place to tie up smaller craft without paying off the "land sharks", so he said, is a really rough concrete ("satanic" as he puts it) wall which, combined with big freighters' wash, winds, and tidal swells doesn't bode well for a skipper's topside. This recording is the first time I've tried doing Irish/Celtic style with a flat pick. Banjo is a Nechville Atlas woody 5-string, tuned to double C, capoed up 2 for D. I never intended to do a banjo track, but when I got the tune mixed I realized that it needed one, and so I scrambled to do one.

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Wreck of the Athens Queen

Posted by MrNatch3L, written by Stan Rogers

 

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- Play count: 39

Size: 5,398kb, uploaded 2/21/2019 6:32:29 AM
Genre: Folk / Playing Style: Other

Cover of a tune from the legendary Canadian maritime folks singer-songwriter Stan Rogers, from his first album titled "Fogarty's Cove". It's an amusing story proving that it's an ill wind that blows no one any good. The recording is a home studio project for an audio production class I'm taking. It's a work in progress. Banjo is a Nechville Atlas openback woody, played in a combination of clawhammer and plectrum styles. It's a texture in the soundscape rather than the main focus, although it does get a short solo. A tot of Napoleon brandy while listening will not do you any harm.

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