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djingodjango |
djingodjango added a blog entry 'Short Term/Long Term' 20 days
This morning I attended a memorial service for the father of a friend of mine.
Mac was 100 years old when he passed last week.
As I sat in church, I pondered the wisdom this man gained in all that time. The lessons gathered from living. And I thought of my own life.
You do that at a funeral. Particularly as you get older.
My adult daughter ran into a "scam" a few days ago that almost cost her two hundred dollars. Fortunately, she was able to correct the error before any real damage was done to her bank account.
The lesson?
If it seems to good to be true, it probably is.
Still and all, the results will inflict deep wounds when the lesson is harsh and is meant for a lifetime.
When I was very young, I spent a few weeks one summer at a friend of my mothers. The friend was a recently divorced woman of wealth who lived in what I can only describe as a mansion and received, I was told later, a rather substantial amount of money in alimony each month.
There were some times I was left to my own devices and I spent it rambling through her library.
It was vast, with many books. I came across a "Life" series of picture books on World War Two.
I was fascinated with the helmets worn by the German troops. The uniforms and insignia of the Waffen SS, the Luftwaffe and other branches of the Nazi military captured my imagination, and I began a period of my life immersed in the life-style of this terrible and deadly fascist horde.
I had a neighbor who worked closely during the war with the "Pathfinders" in Europe and as a translator and agent for the OSS.
Or so he told me.
And I had no cause to doubt him. He and his wife spoke fluent German He had pistols, knives,swords, dagger, uniforms and photographs of himself dressed as a member of the SS.
I was enthralled.
As I grew older, I began drawing swastikas on many things. As a teenager, I bought record albums of Hitlers speeches and Nazi martial music. "Die Fahne Hoch" (The Horst Weisel Song) bounced off the walls of my basement room that was draped with a red, white and black banner emblazoned with a twisted cross.
It never entered my mind that this was evil. Or if it did, I dismissed it as a thing of the past.
My friends and I would laugh at genocide and mock the holocaust by singing a sickening parody of a popular inoffensive song recorded by Peter Paul and Mary entitled "The Lemon Tree" substituting horrible words. I will not even attempt to repeat it.
Until. Until.
Until a night some fifty years ago when a couple of my friends and I drove home after a high-school science club meeting. I was bound to be a scientist of note. But, that was not to be.
It was evening as Bob and Dave and I drove through the town from the school.. The street lamps were on and we slowed down as we came to a cross-walk. A person stepped out and we stopped. Ken was driving and he was always polite. Steve was in the back.
I guffawed and sputtered. "Hey Bob. Ya get ten points if you hit him." There was a mild chuckle from the teenage boys. I tried for a larger laugh.
"Ya get twenty points if it's a Jew and she's pushing a baby carriage". With glee I sprayed the words out and waited for what I thought would be an explosion of mirth at my brilliant and biting wit.
Silence swelled in the dark and pressed around me like a damp blanket. I could hear the radio faintly in the background and the quiet clearing of a throat.
Bob spoke.
"George, there's a Jew in this car." He paused. "And it's not me."
My blood froze and I felt like I had been hit with a pipe. To this day, I can only imagine how Dave felt.
Suddenly there was a face to the target of my juvenile humor. I became disgusted at my sophmoric love for a deep and terrible evil. And I felt worse then I had ever felt in my life.
I mumbled an apology.
Lame. Lame. Stupid. Stupid.
I asked to be let out before I got home. Bob stopped below the hill where I lived and I got out. I did not even have the decency to look into the back seat. I couldn't. I just couldn't!
I couldn't sleep that night, either. Into the early morning I lay awake staring and thinking. The horror of the murder of six million innocent souls whirled around my bed and I realized how awful my respect for a monster had been.
I went to school the next morning and avoided David all day. I was not myself and from that day forward, I have never forgotten the lesson I learned about bigotry and hate.
I apologized with a letter and a face to face meeting with Davi He was gracious and kind and forgave me the transgression of my youth.
There is no excuse, For the displeasure we feel in a person's race, religion, nationality or gender-identification. There simply is no excuse.
Respect for life and the lives of the innocent are why we play banjo's.
Isn't it?
I mean, do we play just to satisfy our own ego's? Do we play and sing just 'cause it's cool?
Sure. I guess some of us do, including, at times, yours truly.
But I would like to think we play and sing because we have been given the chance to use our gifts to spread the word about a better world, and how we could all work together to make it so.
Oh, I hear some of you.
"George. Get a grip. Go back to the sixties. Go back to Woodstock. You are preaching 40 years after the fact. You are a dreamer, pal."
Yeah.
That's what they told Kermit;
And he answered back.
"Someday we'll find it. The rainbow connection.
The lovers. The dreamers.
And me."
© 2010 George Locke
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Genre: Folk
Playing Style: Unknown/None Chosen
Genre: Folk
Playing Style: Unknown/None Chosen
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Genre: Folk
Playing Style: Other
Experience Level: Novice
djingodjango has made 1 recent addition to Banjo Hangout
Interests:
[Jamming] [Socializing]
Occupation: Curmudgeon
Gender: Male
Age: 83
My Instruments:
Dana Fligg "George Locke Model" Vega Long Neck
Yamaha acoustic/electric 12 string
Epiphone solid body electric
Washburn D10SCE
Oscar Schmidt 21 Chord Autoharp
and an odd guitar with no name that lurks quietly under the stairs.
Favorite Bands/Musicians:
Richard Thompson, Earl Scruggs, Mike Seeger, Don Reno, Pete Seeger, Joan Baez, Bob Seeger, Joe Pass, Django Reinhardt, Herb Ellis, Charlie Byrd, Charlie Parker, Four Freshmen, Dinah Washington, Ella Fitzgerald, Lady Day, Bessie Smith, Mel Torme, The Roches, Phil Ochs,Bob Dylan, Dave VanRonk, Toots Theilman, Art VanDamme, Chet Baker,Mose Alison, Hank Williams, Brian Setzer, The Beatles, Hank Thompson, Steve Goodman, Benny Goodman, Beethoven, Tchikovsky, Alexander Borodin, Eric Satie, Arron Copeland, The Gershwins (George and Ira), Leonard Bernstein, Steven Sondheim, Henry Mancini and so on
Classified Rating: not rated
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Profile Info:
Visible to: Public
Created 10/29/2008
Last Visit 9/23/2026
It was 1960 and I was fresh out of high school. I had left rock and roll behind for a while after Dave Guard and the Kingston Trio crept up to whack me with a "Tom Dooley"-stick in 1957. Then came "The Brothers Four", "The Highway Men" and "The New Christie ." and I was hooked. I joined the Army because Uncle Sam promised he would send me to Public Information School to learn journalism, photography and a smattering of radio broadcasting. Hootenany was in the air. I followed my favorites, including the heart-breaking clear voice of Joan Baez to Korea while I wrote for "The Cavalier" and "The Stars and Stripe". I was a correspondent and photographer. Then it was on to New Mexico where I found "Peter, Paul and Mary", early" Bob Dylan" and some scratchy "Jimmy Rodgers"('The Singing Brakeman'). I bought my first guitar while I was producing radio programs for "White Sands Missile Range" and learned a few chords. I recorded a few live concerts, using purloined equipment in Coffee houses through the Southwest. Places like "The Don Quixote" in El Paso, Texas. And I listened to performers, gaining knowledge along the way. When I got out, the 60's and ?'s came hurtling at me, dressed with songs from new writers and performers. I went to broadcasting and drama school for a season in Boston and began to listen to the likes of Dylan, Tom Rush, Dave Van Ronk, Donovan, Mark Spoelstra, Patrick Skye, Jim Kweskin and Phil Ochs. I traded my $30 red and black Stella for a Gibson and began haunting places like the "Unicorn" plus "Club 47" in Cambridge and numerous clubs in New Hampshire. Then a group called "The Beatles" changed my view on everything. I became lead singer and rhythm guitarist in a band called, "The Notables". I bought a more expensive Gibson and an electric 12 string. We did 'Stone's' covers and 'Lovin' Spoonful'. I plunged into James Brown. A 22 year old white kid doing James Brown. I was nothing if not audacious. I went into commercial radio in a small market station back in NH. I wrote news, sports, rip and read weather off the teletype and interviewed everyone from William Shatner to Eugene McCarthy.and George Gobel. I got another twelve string. I got married. I acquired 4 children, and lost everything in the war. And I stopped playing for awhile. Then I met my passion. The love of my life. We married. We produced 5 children together. I was writing in earnest, after I began a spriritual journey. I started telling stories. Childrens tales, Anansi, Coyote and all the worlds mythical characters were part of a woven tapestry I still am adding to today. A friend gave me a Martin D35. Another gave me a Yamaha acoustic/electric 12 string. A few months back I sort of 'retired'. That's another way of saying I was let go. It was then I received my 'Dana Fligg' long neck banjo and am now writing for a local literary mag. I sold the Martin. I bought a Washburn acoustic/electric. My wife gave me a fire-engine red solid body Epiphone electric. I have five beautiful grandchildren. There is much more to say and much more to sing about, but I am glad to have found this place.
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