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From gharrison on 7/18/2012 10:15:19 AM
Howdy Folks,
I got home late last night and found my Cimarron had been dropped off at my door by UPS. Isn't it just the most wonderful thing when you unpack a new banjo, open the case and, for the first time, lay your eyes on your new instrument? This may sound funny, but I got a similar feeling watching my little baby girl being born. It's like......"Ah! Here you are at last! Let's get to know each other!" :)
The guy I bought it from called the banjo a "Hoss," and he wasn't kidding. The power and volume that this banjo produces is gonna take some getting used to, since I've been playing a very mellow, deep-sounding open back banjo for quite a while now. I love the process of tinkering with a banjo and trying to find out just exactly what it "likes," as far as type of bridge, and the head tension - which in my book, is the single most important adjustment to "get right" on a banjo. Geoff Stelling says that "90 percent of all banjo problems have to do with head tension." I think he's absolutely right!
But, I've also found that choice of bridge is equally important. I tinkered around with three very different bridges on the Cimarron last night, and for my tastes, it sounded the best with a Sampson bridge - which is a very heavy bridge. The great Alison Brown uses a Sampson on her banjo, and I've always loved her tone.
My only "complaint" is that the action is way too high for my liking. I emailed Rob Bishline about how to adjust that and, sure enough, he responded within hours describing exactly what I have to do. Thanks Rob!
I can't wait to get home from work so I can continue the process.
Ciao!
Greg
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