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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/407858
PurpleHull1967 - Posted - 03/22/2026: 16:17:41
Hi
Does anyone have an opinion on the Gold Star Prospector 5-string banjo? I'm especially interested to hear what people think about this banjo having no truss rod in the neck; I notice the neck is quite wide compared to most banjos, but would it be vulnerable to bowing or twisting without the truss rod? I'd also be interested in any information on this banjo, reviews, etc.
Look forward to any replies!
Mike, in the UK.
KCJones - Posted - 03/23/2026: 08:52:45
My SS Stewart is 125 years old, no truss rod, and the neck hasn't warped yet.
mikehalloran - Posted - 03/23/2026: 09:13:03
quote:
Originally posted by KCJonesMy SS Stewart is 125 years old, no truss rod, and the neck hasn't warped yet.
Same with my vintage Vegas.
mikehalloran - Posted - 03/23/2026: 09:19:38
quote:
Originally posted by PurpleHull1967Hi
Does anyone have an opinion on the Gold Star Prospector 5-string banjo? I'm especially interested to hear what people think about this banjo having no truss rod in the neck; I notice the neck is quite wide compared to most banjos, but would it be vulnerable to bowing or twisting without the truss rod? I'd also be interested in any information on this banjo, reviews, etc.
Look forward to any replies!
Mike, in the UK.
There is neck reinforcement but Saga doesn't tell us what it is.
The Gold Star Prospector is built in the tradition of banjos from the late 1800s, with a singular combination of traditional design, tone and contemporary playability.
The 1/2 inch rim of the banjo consists of two 1/4 inch plies of rock maple that form a firm vibration base for the warm tonal characteristics required for the old-time banjo styles. The “frailing-scoop” allows the player to access the warm tone found in the area just outside the confines of the banjo head.
The addition of sturdy but light-weight neck reinforcement and coordinator rod assures the structural stability of the neck and rim without a negative impact on the balance or appearance of the instrument.
I'm a dealer—as are many others here on the BHO—and have had one on backorder since before NAMM last January. I did get to see one in Anaheim, however. For what it is, pretty nice at a good price point whenever they get any in.
PurpleHull1967 - Posted - 03/23/2026: 15:20:42
mikehalloran
Hi,
I do know that there must be some Gold Star Prospectors in the UK; they are listed as in stock by Eagle Music over here. I don't know about other dealers.
Have noticed from photos of this banjo that there is a bolt of some description entering the neck from the rim, just above the 'co-ordinator' rod. Could be this is part of the neck reinforcement Saga mention; but there is no cover at the base of the headstock/peghead, so I should think that means there's no truss rod.
Best wishes.
AndrewD - Posted - 03/24/2026: 14:40:20
quote:
Originally posted by PurpleHull1967
Have noticed from photos of this banjo that there is a bolt of some description entering the neck from the rim, just above the 'co-ordinator' rod. Could be this is part of the neck reinforcement Saga mention; but there is no cover at the base of the headstock/peghead, so I should think that means there's no truss rod.
Best wishes.
Common construction for single coordinator rod banjos. It's just a bolt that goes into the heel, not a reinforcement that goes all the way down the neck. I wouldn't worry about the lack of an adjustable truss rod if it's got a non-adjustable reinforcement. It looks like more banjo for you money than the similarly priced Deering Goodtimes at Eagle. And they've got no reinforcement. Hard to see from the photos on Eagle. But it looks like it's got a separate fretboard, unlike the basic Goodtimes where the frets are set directly into the neck.
mikehalloran - Posted - 03/24/2026: 23:15:15
A neck reinforcement rod/bar/tube is not a truss rod unless it also functions as a truss. Martin's glued in reinforcement was not, neither was Bacon's and so on.
Gibson's and other adjustable rods do function as a truss but adjustability is not a requirement. A truss works by applying pressure or tension on a point, normally midway between the two anchor points.
My dad was, among other things, an architect. Sorry 'bout that.
Back to the OP. I live a half hour from Saga and will-call all my orders (gas being cheaper than their shipping charges). Next time I am there, I'll ask to take a closer look at the GE-1 banjo.
Joel Hooks - Posted - 03/25/2026: 07:49:04
I am curious, this import model is leaning towards the modern design aesthetic and configuration popular with the festival/jam old time banjoists.
This seems to be the only current import model that is following that trend. Meanwhile, most USA small shop builders have changed over to this new pattern.
Gold Tone seems to be stuck in the "base everything on Gibson proportions and scale" loop and have only made very minor changes (like adding a scoop). Their new models are pretty much the same as the old, just with plastic rims.
The current offering of Chinese banjos on Amazon has not deviated from the 1970s Japanese pattern really at all.
Are the importers just very out of touch or wilfully deaf to the current trends in "old time" banjo? Is it cost prohibitive to update models?
It seems to me that someone could buy and ship a modern USA old time banjo to China and have it, more or less, copied with little effort. Only small changes would be needed.
Shorten the scale, bring the bridge closer to the center of the head, change the neck shaper to the this style heel pattern, and widen the fingerboard a little.
Using unplated brass would actually lower the cost. These could still be made with rods in the rim (as that seems to be the cheapest way to do it). The "paddle peghed" would save machine and sanding time.
I suppose that what is currently on the market could also reflect NOS on instruments that don't sell a lot of. I've often wondered if there are mountains of overproduced bottlecap rims in some warehouse that were shipped from Japan to Korea to China and factories have not used them all up yet. Perhaps it is time to sell those as scrap?
Obviously the import Gibson Mastertone clone banjos are getting with the times (well closer to the 1930s times).
But the openback market has changed considerably since the 1970s.
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