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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/393414
beezaboy - Posted - 10/16/2023: 09:30:38
IMBanjoJim
Thank you in advance for your consideration of the following. I am a Rettberg & Lange person because they were an early maker of the Banjorine Mandolin (aka Tenor Banjo) but sometimes by necessity I gently engage with 5-string banjos about which my knowledge is abysmal. Here we go:
John Henry (J. H.) Buckbee seems to have manufactured many banjos during the nineteenth century. Most seem to be unbranded. When we neophytes see particular features in an unbranded spun rim 5-string (peghead shape, etc.) many conclude that "it's a "Buckbee". But actually there were two Buckbees in the nineteenth century, namely "J. H. Buckbee" and his son J. H (Johnny) Buckbee II. J. H. died in 1890 (March 8, 1890). Johnny Buckbee II took over his father's Buckbee instrument factory and apparently managed the business and factory until August 1897 when he lost the business in a judicial sale. Question: Can original J. H. Buckbee banjos (ca. 1870-1890) be distinguished from those manufactured by Johnny Buckbee II (1890-1897). Or, simply put, do I have an original JHB or a Johnny Buckbee banjo?
Next question - Within a few weeks of the Buckbee judicial sale, Rettberg & Lange succeeded Johnny Buckbee II in the Buckbee banjo plant and apparently continued to make spun rim 5-string banjos for the trade especially Bruno jobber a regular Buckbee customer. Did Rettberg & Lange make "Buckbee" style banjos in the late 1890's that are the same or similar to the original J.H. Buckbee products or those made by Johnny Buckbee II? If so, can R&L "Buckbee" banjos be distinguished from the J.H. Buckbee originals or the Johnny Buckbee II successor products?
kyleb - Posted - 10/16/2023: 09:42:42
Regarding the distinction of jh vrs johnny banjos i think its a tricky questions since banjo styles in general evolved so much in that same period, it would be dificult to say whether the changes in style were due to who was leading the company and what the market demands were. I don't think either buckbee were heavily involved in the day to design and production of banjos, like SS Stewart was, also I would guess that Johny was likely involved in the buisness before his father death. But that is speculation. The classic buckbee design seems to have trancended the 1880s into the early 1900s with R&L with most of the changes being in how many hooks and nuts it had and full spun over rim giving way to partial. It would be interesting to see how the buisness changed, I wonder if production numbers changed, the number of different brands and jobbers they worked with changed etc.
IMBanjoJim - Posted - 10/16/2023: 09:47:14
I probably haven’t had enough coffee yet to answer coherently.
Mark Ralston, a frequent contributor here, is the man to ask about Buckbees.
THE book to read about them (You may already know this) is Reginald W. Bacon’s Chauncey Richmond & The Old Buckbee.
For myself, I sometimes jokingly refer to my collection as The Buckbee Collection because I suspect that a number of unmarked late 19th century banjos that I own began life in the Buckbee factory.
beezaboy - Posted - 10/16/2023: 10:11:36
Thank you for considering. Just for example I once owned a Beau Brummel. It has JHB stamped on the heel. Was it an original JHB or a Johnny II?
edit: Yes I have the Bacon Buckbee book
Edited by - beezaboy on 10/16/2023 10:14:17
IMBanjoJim - Posted - 10/16/2023: 10:33:07
By the way, telling you to contact Mark Ralston is an example of passing the Buck-bee.
Joel Hooks - Posted - 10/16/2023: 10:40:36
What is generally thought of as the "Buckbee" banjo is most likely patterned after banjos made by Troy, NY makers Wilson and Farnham, or later NYC maker Jimmy Clarke as used by top professionals.
The "silver rim" or nickel rim (so called "spun") came from W&F and was adopted by professionals.
Buckbee was basically making mass market copies of these Clarke banjos with what I presume were design alterations to make large scale production easier. This was a way for people to buy instruments that looked (sort of) like what they were seeing played on stage. Think of these like Chinese copies of famous celebrity electric guitars from Alibaba.
We have the reliable account of Albert Baur who claimed to have seen counterfeit Clarke banjos (made from parts furnished by a "factory"---Buckbee) for sale as the genuine article in pawn shops.
Buckbee's designs were also likely influenced by the many teachers who bought private label banjos from him. The influence of the various Dobson family members is evident.
I no longer believe that all the banjos we attribute to "Buckbee" were completely built and finished by that factory. I believe, based on accounts such as Baur's, that scores of people were making the same banjos using the same parts.
This is no different than Gibson clones being built today. The many makers of these are all building virtually the exact same instruments (with various degrees of skill and finish work) from the same parts suppliers. If the internet were to vanish 100 years from now we might think that all Gibson clones were made by one factory.
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