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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/389913
John D - Posted - 04/14/2023: 09:27:41
The TOTW for April 14th, 2023, is Chorus Jig. Chorus Jig is aka Chorus Reel. On YouTube you will hear the same tune with either title. This version of Chorus Jig is not a jig (6/8 time) but is a reel. On YouTube and "The Session" you will see a version that really is in 6/8 time, but, to me, it is a completely different melody.
Chorus Jig is usually in four parts. The order is ABCB, ABCB, ABCB, etc.
I figured out how to play Chorus Jig from Ken Perlman's tab in his book Clawhammer Style Banjo, and also used the sheet music from the Phillips Collection of Traditional American Fiddle Tunes. I guess Chorus Jig is originally Irish, but not being in any way a tune scholar, I don't know for sure.
I first heard Chorus Jig in the early 80's on an LP by Dave Swarbrick. He fiddles (really fast) a two-part version (2nd tune of a medley):
youtube.com/watch?v=6VscQBGRi94
Watching this version from a Contra Dance on Youtube makes me dizzy in a good way:
youtube.com/watch?v=YG9OWAsUb48
Here's a version by Rodney Miller:
youtube.com/watch?v=nDJMkwOW6A4
Another good version:
youtube.com/watch?v=F8rBKV_p9WU
Here's my take from 2014. I'm playing in Double C. Don't know why I didn't do it in Double D:
banjohangout.org/myhangout/med...archived=
John D
Edited by - John D on 04/14/2023 09:32:00
JanetB - Posted - 04/17/2023: 18:00:02
Your banjo gives it a fine dance rhythm, John, like the banjo is dancing.
I spent time trying to get it in another tuning for different fingering, but ended up like yours in double C because of the tune's wide pitch range. The Ken Perlman tab was pretty much like the arrangement I got listening to on the Irish and Celtic Folk Classics link. I was trying to get away from using so much pinkie finger on the 5th fret, but wasn't able. Ken Perlman has a wonderful left-hand finger stretch and it works for him, though challenges me at times.
The modulation in the B part doesn't use the 5th string much, which is good because it doesn't harmonize in the new key. My favorite part is where the B part transitions to what you call the C part. Out of curiosity, I played the A and C parts together and they go well. It could be we can say that the C part is a variation of the A part, done an octave higher, though not identical.
This is a tune to continue to explore more. Best of all were the dancers in your link. They were truly having fun!
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