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EggerRidgeBoy - Posted - 10/10/2014: 13:07:07
Today's Tune of the Week is Pearl Blake's Tune, which comes to us from the fiddling of Melvin Wine.
MELVIN WINE
Photo - by Mark Crabtree
As noted above, Melvin Wine (1909-2003) was a legendary figure in West Virginia fiddle music, and in the last decades of his life he performed all over the country, gaining wide recognition both for his music and for his interest in teaching others.
He was born in Braxton County into a line of fiddlers going back at least to his great-great-grandfather, Smithy Wine. Melvin showed an interest in and aptitude for music from an early age. On the album "Hannah at the Spring House" he recounted how he first learned to play the fiddle:
I was a little feller and I wanted to play a fiddle. My dad had a fiddle, and he played on tune that I loved to hear, and I thought that was the only one that I wanted to learn to play. If I could just play that one, why, that's all I'd ever want to play. So one day they was all out of the house and I sneaked my dad's fiddler out and tried to play it. Well, I could play it 'til I could tell what I was a-playin', you know? So my mother, she was in the house one evening, and I told her I'd like to get my dad's fiddle and play it. She said, "Well, Bob would kill me if I let you have that fiddle." I said, "Well, I'll be careful with it." So she finally agreed to let me have the fiddle to play. So I could play it 'til she could tell what I was a-playin'. A time or two maybe after that, I'd got it out and played it just a little while nobody'd be around. So my dad was a-playin' one evening, and he played that tune. And she said to him, she said, 'Melvin can play that tune a little bit on the fiddle." He said "What?" Just like that. Well, that excited me bad, 'cause he was awful strict on us kids. And he was strict about his fiddle - that was this one. He kept it in a dresser drawer wrapped in velvet. He didn't say no more, he just jobbed the fiddle over to me. I was expecting to get hit, really. But he reached the fiddle over to me, and I played 'til he could tell what I was a-playin'. From that time on, he helped me, helped me learn. I was bout nine or ten; nine I'd say."
As a young man, Melvin tried to make a living playing the fiddle, performing - often with his brother and brother-in-law - at country dances and occasionally on the radio. Eventually, though, he had to turn to coal mining to support himself and his family. He continued to play the fiddle at local square dances and in taverns, however, until 1939, when his wife survived a near-fatal illness. Melvin attributed her recovery to their religious faith and became convinced that playing at venues that allowed drinking, dancing, and fighting contradicted that faith. As he explained:
“Things I once done I didn’t want to do no more…I did not want to get back into square dances and I just quit. I thought I’d seen people killed there, I’d seen people just fall off their feet dead at the square dances and things like that..”
For the next fifteen years he played his fiddle only for his family or in church, while concentrating on his work in the mines and on raising ten children with his wife, Etta.
Melvin didn't play outside of home or church again until he was about 50, when, the (perhaps apocryphal) story goes, he and Etta were caring for their ten-day-old granddaughter and the only way they could get her to stop crying was for Melvin to play his fiddle. That inspired him to enter the West Virginia State Folk Festival fiddle contest in Glenville, which he won, and he gradually begin playing regularly in public again. Soon he was winning fiddle contests and playing festivals throughout West Virginia and beyond. By the 1990s Melvin was one of the most respected and documented fiddlers from his state, and in 1991 he was awarded a National Endowment for the Arts National Heritage Fellowship, the nation's highest honor for traditional artists. He continued to share his music throughout the country at workshops, concerts, and festivals up until his death at age 93 in 2003.
Edited by - EggerRidgeBoy on 10/12/2014 10:40:06
Dave Douglass - Posted - 10/11/2014: 07:12:54
This is a neat G tune. I learned it from Melvin Wine's "Vintage Wine" cassette, I think. I liked the way it laid in fDGCD tuning capoed up two to be back in G better than standard G tuning. I'm attaching what I came up with. Side note: I have a friend that was born and raised here on the left coast that ended up marrying a W. Virginia guy and moving back there. If I remember right, Melvin Wine was her husband's great uncle. They all called him "Uncle Wine" and loved him and his fiddle playing. I went to her wedding in San Diego and met a couple of old gals that were closely related to Uncle Wine and were pleasantly surprised that I knew who he was and had learned a couple of his tunes a'way out here. This was probably 20 yrs ago.
![]() Pearl Blake's Tune |
EggerRidgeBoy - Posted - 10/11/2014: 11:32:35
quote:
Originally posted by Dave DouglassThis is a neat G tune. I learned it from Melvin Wine's "Vintage Wine" cassette, I think. I liked the way it laid in fDGCD tuning capoed up two to be back in G better than standard G tuning. I'm attaching what I came up with. Side note: I have a friend that was born and raised here on the left coast that ended up marrying a W. Virginia guy and moving back there. If I remember right, Melvin Wine was her husband's great uncle. They all called him "Uncle Wine" and loved him and his fiddle playing. I went to her wedding in San Diego and met a couple of old gals that were closely related to Uncle Wine and were pleasantly surprised that I knew who he was and had learned a couple of his tunes a'way out here. This was probably 20 yrs ago.
Thanks very much for your version, Dave. That's a neat story about coming across some of Melvin's family - in San Diego of all places.
EggerRidgeBoy - Posted - 10/11/2014: 11:37:56
Janet Burton just pointed out to me that there are actually two recordings of Pearl Blake's Tune in the Hangout's own audio archive (I looked for the tune over on the Fiddlehangout, but somehow managed to forget to check our own archive).
Those versions are by Dave Douglass (banjohangout.org/myhangout/med...archived=) and Carl Baron (banjohangout.org/myhangout/med...archived= ). Dave's is included in his post above.
I've added them to my original post. Thanks for the heads up, Janet.
Edited by - EggerRidgeBoy on 10/11/2014 11:50:43
Dave Douglass - Posted - 10/11/2014: 15:36:08
I've been talking with Janet Burton about Pearl Blake's Tune and when I told her that I got the tune from an old Melvin Wine recording she asked me if I could get it on a file for her since his "Vintage Wine" recording is long out of print. Here it is.
Dave
Dave Douglass - Posted - 10/11/2014: 15:45:26
Woops. Let me try this again. Here's Melvin Wine playing Pearl Buck's Tune.
Dave
![]() Melvin Wine's Pearl Blake's Tune |
JanetB - Posted - 10/11/2014: 20:19:02
Thanks, Bret, for locating a rare Melvin Wine tune and for its interesting history. Also thanks to the generosity of Dave Douglass who shared the original source recording. I also benefited from Maya Whitmont's tab, linked above. I like Dave's version of Pearl Blake's tune in an alternate tuning--it has a nice mountain modal sound. Carl Baron knew Melvin Wine personally and listening to his version was helpful.
I'd been reading about Sarah Singleton Blake, Pearl's sister, in a great book called Mountains of Music, West Virginia Traditional Music from Goldenseal, edited by John Lily and highly recommended with its many interesting articles and biographies.
![]() Pearl Blake's Tune (TOTW) | ![]() Pearl Blake's Tune tab |
Tamarack - Posted - 10/12/2014: 06:19:00
Every week I am amazed at the human stories behind great tunes.
BrendanD - Posted - 10/12/2014: 23:29:24
EggerRidgeBoy, thanks for posting this fine old tune from Melvin, and for all the great history accompanying it! I remember playing this tune with Melvin on one (or more) of the visits by my wife Maxine and myself to Melvin's house. Janet, Maxine and I knew Sarah Singleton, and visited her several times. I don't know if she played this tune, though it seems likely that she may have once upon a time. Her repertoire (and style) was quite different than Melvin's, even though they lived only a few miles apart and had known each other for many years. But she certainly could have learned this tune from her brother Pearl. I wish I'd thought to ask her about this tune, and if she knew its real name!
As it happens, I very recently acquired an excellent, very hard-to-find Nakamichi cassette deck which I had completely refurbished with the intent of finally beginning the arduous process of digitizing my 30+ years of cassette tapes at the highest quality possible. I have recordings of many older (and now long-gone) musicians from many places, but a large proportion of them are from West Virginia. Among those recordings are many of Braxton County fiddlers, especially Melvin Wine but also some of Sarah Singleton and Ernie Carpenter. Other West Virginia musicians in my tape collection include Burl Hammons, Maggie Hammons Parker, Mose Coffman, Wilson Douglas, Jenes Cottrell and his sister Sylvia O'Brien (who was an excellent banjo player who lived well into her 90s), Ira Mullins, and probably a few more. It's going to take me a while to assemble the rest of the equipment and software to begin this project in earnest, and no doubt a good while longer to digitize, catalog, and edit even a portion of this material, but when I do, I hope to share some of it with the Field Recorders' Collective and get it out into the world where other people can hear it. I'll probably post some bits and pieces here on the BHO as well. Maybe I'll start with a few tunes from Melvin Wine and Sarah Singleton!
Edited by - BrendanD on 10/12/2014 23:37:59
EggerRidgeBoy - Posted - 10/14/2014: 15:39:14
quote:
Originally posted by Dave DouglassWoops. Let me try this again. Here's Melvin Wine playing Pearl Buck's Tune.
Dave
Thanks very much for posting that, Dave - it's great to hear Melvin himself playing the tune.
Edited by - EggerRidgeBoy on 10/14/2014 15:39:38
EggerRidgeBoy - Posted - 10/14/2014: 15:45:29
quote:
Originally posted by JanetBThanks, Bret, for locating a rare Melvin Wine tune and for its interesting history. Also thanks to the generosity of Dave Douglass who shared the original source recording. I also benefited from Maya Whitmont's tab, linked above. I like Dave's version of Pearl Blake's tune in an alternate tuning--it has a nice mountain modal sound. Carl Baron knew Melvin Wine personally and listening to his version was helpful.
I'd been reading about Sarah Singleton Blake, Pearl's sister, in a great book called Mountains of Music, West Virginia Traditional Music from Goldenseal, edited by John Lily and highly recommended with its many interesting articles and biographies.
Glad you liked the tune and found its history interesting, Janet. Thanks - as usual - for sharing your version and tab.
"Mountains of Music" sounds like a great book; I realize now that I have seen it for sale at various events, but have not yet purchased it. It is now on my "to buy" list.
EggerRidgeBoy - Posted - 10/14/2014: 15:47:15
quote:
Originally posted by TamarackEvery week I am amazed at the human stories behind great tunes.
Me, too - and as much as I enjoy playing the tunes for their own sake, it always adds something to the experience for me to know a bit about the stories and the people behind them.
EggerRidgeBoy - Posted - 10/14/2014: 15:58:04
quote:
Originally posted by BrendanDEggerRidgeBoy, thanks for posting this fine old tune from Melvin, and for all the great history accompanying it! I remember playing this tune with Melvin on one (or more) of the visits by my wife Maxine and myself to Melvin's house. Janet, Maxine and I knew Sarah Singleton, and visited her several times. I don't know if she played this tune, though it seems likely that she may have once upon a time. Her repertoire (and style) was quite different than Melvin's, even though they lived only a few miles apart and had known each other for many years. But she certainly could have learned this tune from her brother Pearl. I wish I'd thought to ask her about this tune, and if she knew its real name!
As it happens, I very recently acquired an excellent, very hard-to-find Nakamichi cassette deck which I had completely refurbished with the intent of finally beginning the arduous process of digitizing my 30+ years of cassette tapes at the highest quality possible. I have recordings of many older (and now long-gone) musicians from many places, but a large proportion of them are from West Virginia. Among those recordings are many of Braxton County fiddlers, especially Melvin Wine but also some of Sarah Singleton and Ernie Carpenter. Other West Virginia musicians in my tape collection include Burl Hammons, Maggie Hammons Parker, Mose Coffman, Wilson Douglas, Jenes Cottrell and his sister Sylvia O'Brien (who was an excellent banjo player who lived well into her 90s), Ira Mullins, and probably a few more. It's going to take me a while to assemble the rest of the equipment and software to begin this project in earnest, and no doubt a good while longer to digitize, catalog, and edit even a portion of this material, but when I do, I hope to share some of it with the Field Recorders' Collective and get it out into the world where other people can hear it. I'll probably post some bits and pieces here on the BHO as well. Maybe I'll start with a few tunes from Melvin Wine and Sarah Singleton!
That is the one small downside to looking into the history and people associated with such old-time tunes - it makes me wish all the more that I could have met and learned directly from them. But I am glad you got to play with Melvin and Sarah - great experiences, no doubt. And I am very glad to hear that you did so much recording of West Virginia fiddlers. Thanks for tracking down that Nakamichi cassette deck and making plans to get the music out into the world - I know that is an enormous amount work. I appreciate it, and look forward to those eventual FRC releases.
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