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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/264519
Derek Bodkin - Posted - 06/10/2013: 12:15:07
Hi all. I was checking out archived links and there was some fun exchange about banjos, bagpipes and tubas. I put this together this midi arrangement a long time ago (when I was in the Los Angeles Police Emerald Society Pipes and Drums) and thought I'd share. Just for fun. I stuck to the standard form of the tune... including the long opening. I hope you enjoy.
youtube.com/watch?v=lLoyYUPsNUI
Derek
Edited by - Bill Rogers on 06/15/2013 10:59:25
scooter46 - Posted - 06/10/2013: 12:24:41
Derek, thanks for posting this I really enjoyed it, but I'm a big fan of bagpipes, and it sounded pretty good with a banjo. Larry
the link should work now
youtube.com/watch?v=lLoyYUPsNUI
Edited by - scooter46 on 06/10/2013 12:34:47
Paul R - Posted - 06/10/2013: 13:45:06
Holy cow, Derek - your first post since you joined in 2009?!!!
What a start! Keep 'em coming!
ravedog - Posted - 06/10/2013: 14:14:18
OMG....!...!...!
sorry I couldn't turn the volume higher (and it was 50w extension in a 12x12 room)
brewerpaul - Posted - 06/10/2013: 17:22:46
Most excellent! You made my day. Now all my Facebook friends will hear it too.
Klondike Waldo - Posted - 06/12/2013: 18:12:31
Derek, as a working bagpiper, I have a couple of comments.
1. Your arrangement could only work as a MIDI or otherwise synthesized project, because 1Bagpipes* can't play rests. Once they start sounding, air has to be continuously supplied and within a very narrow, constant pressure window.
2. The bagpipe* scale is not usually written as A major because the G is a g natural. In some written collections of music for Highland bagpipe no key signature at all is given on the (erroneous) assumption that there's only 9 notes available anyway, so why bother pointing out that it's C#, and F# and G natural. Some composers & arrangers nowadays use the key signature of A major, but then put a natural sign before every g. My preference is to put in 2 sharps, F# and C# whether the tune is in A,(major or mixolydian) D major, B minor, or whatever. I regularly play tunes with C naturals and F naturals and which include a high B above the "usual GHB scale", but that's easier to do on Lowland bagpipes (which I also play).
Still I enjoyed your MIDI file.
* refers to the Great Highland Bagpipes (GHB). There are over 100 different types of bagpipes in the world, having their own scales and capabilities.
Derek Bodkin - Posted - 06/13/2013: 14:11:24
Thanks , Klondike Waldo, for your input.
1. Indeed. This file could only be midi. I marched as a drum sergeant with the LAPD Emerald society for three years.
2. Agreed. The video mentioned "Sometimes written in A Major"
Klondike Waldo - Posted - 06/14/2013: 18:30:54
Ah, well then Derek, I wasn't telling anything you didn't know firsthand. Good job.
Paul Roberts - Posted - 06/15/2013: 17:24:34
Meaningful work.
Interesting to read in your bio that you perform in several bands.
Derek Bodkin - Posted - 06/17/2013: 08:37:05
To Klondike Waldo - TOTALLY love your input.
You know the hardest thing I have with the use of midi bagpipes - is the fact that the doublings offered by a midi file aren't even close to authentic. I took a handful of bagpipe lessons on my chanter... and I'm terrible. Doublings were incredibly difficult for me. (I've explained 'doublings' to friends as 'like a trill')
Question - are doublings always written? Hoping you can help.
Thanks!
Derek
wuzapicker - Posted - 06/17/2013: 19:22:20
I'm still enjoying that! Wonderful and it brings a smile!
Michael <><
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