Banjo Hangout Logo
Banjo Hangout Logo

Premier Sponsors


 All Forums
 Playing the Banjo
 Music Theory
 ARCHIVED TOPIC: playing thru the cycle of 4ths with dominant chords


Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/225884

pearcemusic - Posted - 01/18/2012:  09:57:45



this is an exercise i do to warm up. It helps me to tie jazzy dominant chord voicings with major scale "modes" in any key.



It also helps me play thru ii-V's while minimizing my left hand movement, and helps me visualize those parts of the fingerboard that used to be "no man's land" for me. (I also called it "stumble territory")




VIDEO: playing thru dominant cycle of 4ths- chords scales relations.mp4
(click to view)

   

stormoveroklahoma - Posted - 01/18/2012:  15:12:52



you're the greatest for posting all your progress and knowledge...thanks Doub



 



say Hi to the whole family from my whole family in Vermont



Tracy


pearcemusic - Posted - 01/18/2012:  16:47:16



will do Tracy .... I'm working my way thru this stuff, and thought others might benefit from it as well.


grapeape605 - Posted - 03/07/2012:  18:57:29



This may be a dumb question but when do you play the chords on your 3 page mode sheets.  They sound like the 5th chord in the root of the key but they don't have the root note in them.


pearcemusic - Posted - 03/08/2012:  06:14:00



quote:


Originally posted by grapeape605




This may be a dumb question but when do you play the chords on your 3 page mode sheets.  They sound like the 5th chord in the root of the key but they don't have the root note in them.






not a dumb question at all ... you are hearing the "dominant" (5 chord of a "key") chord that this cycle is built on. I'm playing voicings that all contain 3 and 7 of each dom7 chord thru the cycle ... those 2 notes are the most important for determining the sound of that dom7 chord. So ... like you said ... they are the 5 chord of a "key" ... and they are voiced (with the exception of the 1st voicing) without the bottom note being the "name" or root of the chord.



and .. each of these chords contain "color" tones from the original major parent scale that you mention.



the color tones in each of these voicings are a 6(13) or 9 of the particular dominant 7 chord.


banjoy - Posted - 03/09/2012:  06:56:31



This stuff is EXCELLENT! I can see it, hear it, and have it explained!



There is a lot going on in my life unrelated to music at this moment. So soon I hope to be able to take your materials and start sitting down and working through this stuff. You keep posting information that is dead on. I'll keep lurking and absorb what I can. Soon will have time for this, soon....


Terms of Use | Privacy Policy | Privacy Consent (EU/GDPR Only)

Copyright 2026 Banjo Hangout. All Rights Reserved.





Hangout Network Help

View All Topics  |  View Categories

0.03125