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 ARCHIVED TOPIC: Leonard and Clifford Glenn (Trip to Watauga County)


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Slingerland - Posted - 08/18/2011:  19:38:49



Way up in the mountains in Sugar Grove, NC, lives Clifford Glenn, the living tradition of instrument making of the Watauga County, NC tradition. Clifford is a fourth generation instrument maker who spent close to 50 years building some of the finest instruments the world has seen. For over 40 years of those years, he shared a workshop with his father, Leonard.



Starting in the mid 1950s, Leonard and Clifford sold banjos and dulcimers (and a few other instruments) to pleased customers in this country and around the world. Prior to this time, Leonard made instruments in a less commercial manner. Leonard and Clifford are also the true makers for nearly all (all?) extant banjos and dulcimers that are marked "Frank Proffitt" or were sold by Frank Proffitt. Leonard passed away in 1997 and Clifford's heath prevents him from making instruments and playing them.


 


Clifford was born in 1935 and lives on the same piece of property he grew up on. He and his wife live in a house on the front of the property, which they built when they were married. Clifford's parents lived in another house on the property until their death. The Glenn workshop is tucked away and down a hill from the two houses. 


 


On a recent trip to Watauga County, I made my way up through the mountains to Clifford's place with a very close friend of mine. The Glenn homestead is nestled back in the mountains in a clearing of a great expanse of trees. We were warmly welcomed by Clifford and his wife, Maybelle. I brought two banjos with me to show Clifford.


 


The first instrument was a fretted cherry banjo made by Clifford Glenn completed on March 12, 1964, the same year that he and Maybelle were married. (photo below and on my homepage) As we sat in their living room, Clifford examined the instrument with pride. He smiled as he tried to play the instrument. Clifford seemed thrilled to see the instrument and proud that it remained playable after nearly 50 years. Clifford handed the banjo to me and I played "Waterbound" (one of his dad's favorite tunes) for he and Maybelle. I couldn't help but feel choked up. 


 


I will never forget playing for the person who made the banjo 50 years prior, in a workshop one hundred yards from where we were currently sitting. The fact that Clifford's heath no longer allows him to play added to the emotion of the moment. It was obvious that Clifford was pleased to hear his instrument sing after all these years.


 


The next instrument I showed Clifford was an unmarked cherry and quarter sawn oak banjo that I believed to be made by his dad, Leonard. (photo below and on my homepage) When Clifford saw the banjo, he immediately knew what it was. It was, "One of dad's." Clifford explained that the banjo was made by Leonard in the early 1950s or earlier. He also pointed out that the skin could be house cat and that they did not make many out of quarter sawn oak. It was obvious that Clifford loved seeing a banjo made by his father 60-70 years prior, 100 yards from where we were sitting.


 


After looking at the two banjos, we made the walk down the hill to the workshop where Leonard and Clifford made most of their instruments. Prior to building this workshop, the Glenns worked out of a smaller building up the hill and closer to the houses. 


 


The biggest part of the workshop is devoted to storing the lumber that was chosen worthy of possibly comprising one of the Glenns' instruments. The smaller part of the workshop is where the instrument making happened. Leonard worked at a small workbench in the back of the building and Clifford worked up front at another small workbench. The workshop was filled with all sorts of goodies covering the workbenches and the floor. It was a treat to once again be in the place where great instruments once were crafted. 


 


On our way out, I talked with Clifford about the huge pile of rocks he accumulated over of years. Clifford was an avid rock hunter and Maybelle made jewelry with the stones found in Clifford's rocks. Clifford allowed a couple rocks to go home with us. 


 


Clifford also shared some nearly ripe Catawba grapes with us that were growing on the side of one of his out buildings near his driveway. I've had a lot of Catawba grapes in my life, but none I have felt so honored to eat.


 


This will not be my last visit to the area, but this visit is something I will never forget. Thank you Leonard and Clifford for your wonderful contributions to the instrument community and the world.


 


Edited by - Slingerland on 08/18/2011 19:55:18

Slingerland - Posted - 08/18/2011:  19:40:11



March 12, 1964 Clifford Glenn banjo (more photos on my homepage)





 



Edited by - Slingerland on 08/18/2011 19:42:01

Slingerland - Posted - 08/18/2011:  19:41:36



1940s-1950s Leonard Glenn banjo (more photos on my homepage)




R Buck - Posted - 08/18/2011:  21:22:11



I've got one of their banjos from over 25 years ago.  It is sweet as can be. 


beezaboy - Posted - 08/19/2011:  05:31:18



Good story!  I wonder how many banjos the elder Leonard made (1950's) and then the successor Leonard/Clifford (1960's+) made.  I expect that finding examples would be slow going.  Too bad Clifford did not have a customer list from back in the day.  Then some letter writing might turn up some banjos looking for a new home.


Slingerland - Posted - 08/19/2011:  05:55:24



Thanks!



There was really no demand for these instruments outside of the Watauga County area until Frank Proffitt gained national recognition (late 1950s/early 1960s). Historically, makers in this area did not mark their instruments because they did not see the need to do so. I have seen one banjo purchased from Leonard in 1959 that is not marked. Leonard and Clifford began marking their instruments shorty thereafter.



Banjos were signed by either Leonard or Clifford (depending on who made it) and I have never seen an instrument bearing both names. At some point during the late 1950s or early 1960s, Leonard and Clifford began making banjos and dulcimers that would later be sold by Frank Proffitt. The Glenns would leave the instruments unmarked and Frank Proffitt would sign (and sometimes date) the instrument. (Source for the Frank Proffitt information: Clifford Glenn)



Until the mid 1950s, Leonard appears to have made banjos from time to time, but not necessarily in any regular fashion. There is at least the banjo I have, made no later than the early 1950s, and a reference in a book, published in 1969, that illustrates one Leonard made in 1947 and owned by Mack Presnell.



From the mid 1950s until the early 1960s, Leonard and Clifford began making banjos and dulcimers in a more regular fashion, but not full time. In the early 1960s, their instrument production became full time.



Leonard died in 1997 and Clifford made instruments until the early 2000s.



I recently asked Clifford about how many instruments he and his dad made over the course of their careers and he said that it was hard to say, but they probably made 1,000 or 2,000 instruments. Clifford also said that they made more dulcimers than banjos.



In my experience, the banjos and dulcimers that turn up most frequently are the ones from the years of their full time production, specifically the 1960s and 1970s.



Edited by - Slingerland on 08/19/2011 06:06:16

Slingerland - Posted - 08/22/2011:  09:49:32


R Buck-

Do you have one of Leonard's or one of Clifford's? I'd love to see some photos when you have the chance.

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