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Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/125354
delle - Posted - 08/27/2008: 12:11:29
Hello,
it is hard for me to bring this http://www.youtube.com/watch?v=7stjwPjk8s0 in conjunction with the tab in Dan's "Festival Tunes" book.
Will it come with the speed ?
r/Delle
BANJOJUDY - Posted - 08/27/2008: 12:40:06
quote:
Originally posted by delle
Hello,
it is hard for me to bring this http://www.youtube.com/watch?v=7stjwPjk8s0 in conjunction with the tab in Dan's "Festival Tunes" book.
Will it come with the speed ?
r/Delle
oldwoodchuckb - Posted - 08/27/2008: 13:23:33
I've never met a fiddler who played it in D. I suggest you stick with C.
If you are interested in what I say and would like to know more, it ony cost the price of an email. Write me at:
oldwoodchuckb@yahoo.com
and I will send you a copy of the entire Rocket Science Banjo with all the text now in PDF, plus all the exercise tabs and jpgs as well as "25 tunes" (which is now up to about 38) in banjo tab, playable with the MIDI built into your computer, so you can play along at whatever speed you choose to set.
put RSB in the subject line.
I neither keep nor re-use your email
You can watch the videos for some Rocket Science Banjo subjects starting here:
http://www.youtube.com/watch?v=HdRuf4X0X7g
Banjo Brad is hosting How To Mold A Mighty Pinky adn other material at
http://home.thegrid.net/~fjbrad/id20.html
Clawdan - Posted - 08/27/2008: 13:54:12
Ah guess so, perhaps we haven't met. Dan here. You've met one now. Bob Carlin also plays it in D on Bangin and Sawin and I guess he isn't too well known (don't remember who fiddled that on there sorry). Stacy Phillips writes it in his Phillips Collection of Traditional American Fiddle Tunes volume 1 (Mel Bay 94711) in D and credits it (I am assuming in that key) to Lyman Enloe. He (Stacy) also comment, "This tune is also played in C." Some of you may also recognize this by its recorded name of "The Merry Go Round Went Round" or remember it from the schoolyard play party chant, "My mother was a steamboat, my father was a duck..." or that's all folks Merry Melody tune.
As to reconciling my version in OTFest Tunes... book vs. video (after all that was Delle's question) I will have to see the video again (sorry, on dial up here in rural Ohio) and comment after that. I can guess however, that as is often discussed, the "written" version of any tune is just a guide and the "up to speed, played for max variations" - as it would have been at the camp it was filmed at (clawcamp west 2008 - yes Judy, we'll cluck a bunch at this years). Then there is always the possibility I played the wrong tune (or mis-titled what I played) but I would hope someone would have said something by now.
Play nice
,
Dan "Ain''t no bum-ditty" Levenson
www.ClawhammerBanjo.us
Get started right with Dan''s Clawhammer Banjo From Scratch - Book and DVD (Mel Bay Publications)
BANJOJUDY - Posted - 08/27/2008: 14:13:22
For me, Double D tuning and A tuning is always easier than Double C and G tuning.
Why? The friggin neck is shorter, the frets are easier to reach, and my left arm doesn't tire.
So, when I have the opportunity to stay in one tuning, I will choose either double D or A - and if nobody is playing with me, it doesn't make a rat's ass bit of difference. I just give the guiartist a capo and tell him to live with the tuning. As long as nobody is singing a tune, why should it matter what tuning it is in?
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J-Walk - Posted - 08/27/2008: 15:04:58
Hmmmm... I just watched that video and Dan is playing in Double D tuning.
BTW, I'm the person who recorded and posted it. It was a Clawcamp West in February. I don't think Dan played anything in Double C tuning that entire weekend.
Don Borchelt - Posted - 08/27/2008: 15:23:54
This is what the Fiddler's Companion had to say on the subject:
"CHINESE BREAKDOWN [1]. AKA and see "Georgia Bust-Down," "Georgia Breakdown." Old-Time, Breakdown; Canadian, Reel. USA; New Hampshire, Va., Alabama, Arkansas. D Major (Messer, Miskoe & Paul, Phillips). Standard. AABB (Messer): AA'BB' (Miskoe & Paul). The tune was recorded from Ozark Mountain fiddlers by musicologist/folklorist Vance Randolph for the Library of Congress in the early 1940's. Sources for notated versions: Kyle Creed (southwestern Va.) [Brody]; Lyman Enloe [Phillips]; Arthur Mitchell (Concord, N.H.) via Omer Marcoux [Miskoe & Paul]. Messer (Anthology of Favorite Fiddle Tunes), 1980; No. 19, pg. 20. Miskoe & Paul (Omer Marcoux), 1994; pg. 22. Phillips (Traditional American Fiddle Tunes), Vol. 1, 1994; pg. 49. Alcazar Dance Series ALC 202, Sandy Bradley - "Potluck and Dance Tonite!" (1979). Brunswick 221 (78 RPM), Jack Reedy & His Walker Mountain String Band (reissued on "Music From The Lost Provinces"). County 762, Lyman Enloe- "Fiddle Tunes I Recall." Decca 5069 (78 RPM) {1934}, The Stripling Brothers (Ala.). Folkways FA 2492, The New Lost City Ramblers- "String Band Instrumentals" (1964. Learned from Earl Scrugg's older brother, Junie, and altered from then). Fretless 136, The Arm and Hammer String Band- "Stay on the Farm." Marimac 9000, Dan Gellert & Shoofly - "Forked Deer" (1986. "Inspired by an old McGee Brothers record"). Okeh 45103 (78 RPM), Scottdale String Band. QRS 9010, Hoke Rice. Rebel 1545, Curly Ray Cline- "Why Me Ralph?" Rural Records RRCF 252 (1970), Curly Fox (Ga.). Romeo 5345/Conqueror 8241 (78 RPM), Carolina Ramblers String Band. Rounder 1133/1134, Ed Hayley - "Grey Eagle, Vol. 2" (a four-part version). Voyager 340, Jim Herd - "Old Time Ozark Fiddling." Victor Records (78 RPM), the Skillet Lickers (1934).
CHINESE BREAKDOWN [2]. Old-Time, Breakdown. USA, Va. C Major. Standard. AA'BB'. A recognizable version of "Chinese Breakdown" [1], especially in the structure of the tune. Brody (Fiddler's Fakebook), 1983; pg. 67. Mountain 301, Kyle Creed- "Blue Ridge Style Square Dance Time.""
"My first stringed instrument was a cigar box banjo where I cut and turned the pegs and strung the wires myself." - Carl Sandburg
Check out my webpage.
Clawdan - Posted - 08/27/2008: 15:35:15
Hi folks,
Site working again, so perhaps I can clarify some. I called Judy to chat and we came onto the subject so I asked her to link the video. (We have dial up here in rural ohio - only thing available other than satellite but Mc C says he'll change that - one can but hope). Upon listening it sounded low to me, but over a phone line and Judy said C, so that's why we posted what we posted. ANYWAY, take Jwalk's word for it as he recorded and posted it, he was there. I'm sure we'll all double check it with at reference note in any case just to be sure (hey, you know what they say, just cause you are paranoid... - I even wanted to make sure that was the right tune name! Hey, I'm tired. Lots of driving this month but that's another thread).
Bottom line, Delle, you are a bit unclear as to what you are unable to "reconcile" but somehow we got on key, when you in fact never mention that and I hope we have cleared THAT up.
I have several thoughts in any case. If there is a key mismatch (vid to book) it is not intentional rather situational. I go to the tuning needed to play a tune and key is incidental unless playing with a fiddler who has dictated the key, or a song in which case we pitch to voice. As we posted a bit earlier, there is a reference cd with the book for banjo versions and reference filed free at mel bay for the fiddle line (which plays the standard notation one) and that would be the reference for the tab WITH THE FOLLOWING NOTE: (quoted from the text on page 7) "So, I decided what would serve you best is a single interpretive composite version of each tune played on the banjo at moderate speed. These are enough like the written versions to let you hear how the tune goes but hey are NOT an exact playing of what has been written...."
These are the only reference recordings one should expect to go with the book version though by sheer coincidence you will likely find others. My versions are based upon the common playing at the time of the writing. You do point out the variety of music - even versions of a tune under a title - that makes it so interesting and open to variation and interpretation. The written material, as has been stated, is but a starting point to this wonderful music. Everybody plays it a little different as we put our mark on such a wonderful standard.
If you have more specific questions, please, feel free to elaborate here and I'll address them as well as I can within the context of the written material. Great discussion by the way.
Play nice
,
Dan "Ain''t no bum-ditty" Levenson
www.ClawhammerBanjo.us
Get started right with Dan''s Clawhammer Banjo From Scratch - Book and DVD (Mel Bay Publications)
BANJOJUDY - Posted - 08/27/2008: 15:39:29
Dan and I had a little discussion about the tuning. He cannot get onto YouTube with dialup, so he asked to hear it over the phone, and it was difficult to figure out anything at that point.
Jaywalk - you are correct. He (Dan) is playing in D on the video, although it was hard to tell what key it was in while I was watching because he is not using a capo, and I was playing along without a capo and just going up and down the neck to harmonize - hence, I could have been in C or D or Q for all I know (Yes, I am blonde -sorry).
Here's why you tune to certain tunings in the first place:
1) Play with the fiddler if you are playing with one
2) Tune to the vocalist's favorite key
3) Play to make it easiest on the fingering for the banjo player.
# 3 doesn't get used unless # 1 and # 2 are not available.
I was planning on presenting CHinese Breakdown if I ever did another TUne of the Week. Plan gone to pot - will find another tune before my next turn.
Stay tuned....!
+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
Have you visited the Tune of The Week area
for clawhammer players? Check it out on The
Banjo Hangout! Volunteer to do a tune for
October by emailing me at inquiry@siliconheights.com.
oldwoodchuckb - Posted - 08/27/2008: 16:32:19
I guess it is another case where the festival stylists have changed the key for convienience. I suspect that pretty soon there will be no keys but A and D at these things. Round here we stick to the original keys - even if it does result in a little re-tuning.
If you are interested in what I say and would like to know more, it ony cost the price of an email. Write me at:
oldwoodchuckb@yahoo.com
and I will send you a copy of the entire Rocket Science Banjo with all the text now in PDF, plus all the exercise tabs and jpgs as well as "25 tunes" (which is now up to about 38) in banjo tab, playable with the MIDI built into your computer, so you can play along at whatever speed you choose to set.
put RSB in the subject line.
I neither keep nor re-use your email
You can watch the videos for some Rocket Science Banjo subjects starting here:
http://www.youtube.com/watch?v=HdRuf4X0X7g
Banjo Brad is hosting How To Mold A Mighty Pinky adn other material at
http://home.thegrid.net/~fjbrad/id20.html
BANJOJUDY - Posted - 08/27/2008: 16:36:24
I went through my Chinese Breakdown recordings and found that all but one were in D. The only one in C was an authoharp recording on a Doc Watson album, Treasures Untold.
The ones in double d included recordings by:
Adam Hurt
Benton Flippin
Bob Carlin
Dan Levenson
Kirk Sutphin
Ken Waldman
New Lost City Ramblers
Wild Turkeys
Howell and Philips
Palmer and Doug Loux
So there you have it - and, add to this the fact that Steve Kaufman's guitar book shows it in D and the Mike Seeger mandolin book shows it in D.
THe DEEES have it!!! I deem it a D tune (although we play it in C in ABQ). At least the fingering is the same!!!
Judy
+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
Have you visited the Tune of The Week area
for clawhammer players? Check it out on The
Banjo Hangout! Volunteer to do a tune for
October by emailing me at inquiry@siliconheights.com.
J-Walk - Posted - 08/27/2008: 17:01:52
quote:
I guess it is another case where the festival stylists have changed the key for convienience. I suspect that pretty soon there will be no keys but A and D at these things.
chip arnold - Posted - 08/27/2008: 19:22:57
In jams I get to at festivals and otherwise, I find keys in pretty much this order: D, A, G, Sawmill (A or G) C, F Sometimes an E minor tune gets in there. When there are singers, all bets are off. I love C tunes on the banjo though I don't know a whole lot of them.
**********************
Take what is given
Give what is taken
Chip Arnold
Don Borchelt - Posted - 08/27/2008: 20:10:44
woodchuck wrote: "I guess it is another case where the festival stylists have changed the key for convienience. " I learned Cinese Breakdown about 40 years ago from a bunch of older guys who had moved to Cincinnati from eastern Kentucky. They played the tune in D, and this was before our modern festivals really got going. If I recall correctly- and perhaps I don't- the Skillet Lickers played it in D on the Corn Licker Still recording done around 1930. I don't doubt it may have actually started as a C tune, but I'm pretty sure it's been played in D for a very long time.
"My first stringed instrument was a cigar box banjo where I cut and turned the pegs and strung the wires myself." - Carl Sandburg
Check out my webpage.
Clawdan - Posted - 08/27/2008: 20:13:29
quote:
Originally posted by oldwoodchuckb
I guess it is another case where the festival stylists have changed the key for convienience. I suspect that pretty soon there will be no keys but A and D at these things. Round here we stick to the original keys - even if it does result in a little re-tuning.
...
Edited by - Clawdan on 08/27/2008 20:16:14
oldwoodchuckb - Posted - 08/27/2008: 20:38:21
Apparently I got off on the wrong tune again.
I just listened to a couple "Chinese Breakdown" recordings and if I ever played that tune it hasn't been in the last couple decades.
The tune that I glommed onto from reading the title was indeed a C tune and probably had rag in the title -- so if there's a Chinese Rag floating around in the old time tune list that's prolly it. If not - maybe the title will come to me later. Text is not the best way to communicate music.
So re: Chinese Breakdown............ never mind.
If you are interested in what I say and would like to know more, it ony cost the price of an email. Write me at:
oldwoodchuckb@yahoo.com
and I will send you a copy of the entire Rocket Science Banjo with all the text now in PDF, plus all the exercise tabs and jpgs as well as "25 tunes" (which is now up to about 38) in banjo tab, playable with the MIDI built into your computer, so you can play along at whatever speed you choose to set.
put RSB in the subject line.
I neither keep nor re-use your email
You can watch the videos for some Rocket Science Banjo subjects starting here:
http://www.youtube.com/watch?v=HdRuf4X0X7g
Banjo Brad is hosting How To Mold A Mighty Pinky adn other material at
http://home.thegrid.net/~fjbrad/id20.html
Clawdan - Posted - 08/28/2008: 04:50:24
Great to be the cause of re-investigating our memory, eh? Mine sure is getting fuzzy these days. Takes a lot to say it out loud. Thanks owc. Still, great to find out all that info on such a wonderful tune. Wouldn't have done it without ya. The joy of being one of the "keepers of the tunes" and also the frustration. Still mix up Magpie and Cuffy.
Play nice
,
Dan "Ain''t no bum-ditty" Levenson
www.ClawhammerBanjo.us
Get started right with Dan''s Clawhammer Banjo From Scratch - Book and DVD (Mel Bay Publications)
oldwoodchuckb - Posted - 08/28/2008: 09:12:37
I'll be going senior moment crazy until I find a recording that matches the tune in my head. Perhaps I should record it myself - maybe even give it a title - that'll get it identified fast! They'll come out of the swamps to sue me.
If you are interested in what I say and would like to know more, it ony cost the price of an email. Write me at:
oldwoodchuckb@yahoo.com
and I will send you a copy of the entire Rocket Science Banjo with all the text now in PDF, plus all the exercise tabs and jpgs as well as "25 tunes" (which is now up to about 38) in banjo tab, playable with the MIDI built into your computer, so you can play along at whatever speed you choose to set.
put RSB in the subject line.
I neither keep nor re-use your email
You can watch the videos for some Rocket Science Banjo subjects starting here:
http://www.youtube.com/watch?v=HdRuf4X0X7g
Banjo Brad is hosting How To Mold A Mighty Pinky adn other material at
http://home.thegrid.net/~fjbrad/id20.html
Clawdan - Posted - 08/28/2008: 11:10:38
quote:
Originally posted by oldwoodchuckb
...- that'll get it identified fast! They'll come out of the swamps to sue me.
delle - Posted - 08/28/2008: 11:19:56
Hi,
sorry, my english is to bad, I can't express it precisely.
Like a Tab which can not explain a song, how it should be played.
Thats what I have mentioned.
Regards from Germany
Delle
unclekurty - Posted - 08/28/2008: 14:13:24
There's a tab of it by Adam Hurt also in a Banjo Newsletter that was an Old Time Way issue. It's a transcription of the way he played it in a contest. It's a challenging arrangement ...well to me anyway. Lot's of cool licks in it.
And Delle it will come up to speed with practice. That's the way it works for me. And I never set out to try to memorize anything. After playing through the tab over and over eventually I just get it and then I make mistakes which I call variations and pretty soon I have a version that's kinda my own hopefully.
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