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Browse Tabs By Keyword: sunny side of the mountain

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Sunny Side of the Mountain

Genre: Bluegrass  Style: Bluegrass (Scruggs)   
Posted by schlange, updated: 5/10/2006
Download: TEXT | MUSEDIT

Sunny Side Of The Mountain

Genre: Bluegrass  Style: Bluegrass (Scruggs)   
Posted by schlange, updated: 5/10/2006 - 2 Member Comments
Download: TABLEDIT

Sunny Side of the Mountain

Genre: Bluegrass  Style: Bluegrass (Scruggs)   Key: B  Tuning: Standard Open G (gDGBD)  Difficulty: Expert
Posted by agentheath, updated: 5/5/2013 - 1 Member Comments
Download: TABLEDIT

Notes: 2nd break (~3:18) by J.D. Crowe with the Grascals in this video: http://www.youtube.com/watch?v=_IE2gLELpBc

Sunny Side of the Mountain

Genre: Bluegrass  Style: Bluegrass (Scruggs)   Key: G  Tuning: Standard Open G (gDGBD)  Difficulty: Intermediate
Posted by schlange, updated: 11/10/2014 - 1 Member Comments
Download: TABLEDIT

Notes: Sonny Osborne's arrangement, tabbed by Jack Baker.

Sunny Side of the Mountain

Genre: Bluegrass  Style: Clawhammer and Old-Time  Key: G  Tuning: Standard Open G (gDGBD)  Difficulty: Beginner
Posted by dbrooks, updated: 8/20/2023
Download: PDF | MP3: [Play] [Download]

Notes: This clawhammer tab is based on the recording by the Osborne Brothers (https://www.youtube.com/watch?v=yNQj9Gq-9MI ). They play it in B, so capo at 4th fret to match the video.

Sunny Side Of The Mountain - Clawhammer

Genre: Bluegrass  Style: Clawhammer and Old-Time  Key: G  Tuning: Standard Open G (gDGBD)  Difficulty: Intermediate
Posted by janolov, updated: 8/20/2023
Download: TABLEDIT | PDF

Notes: Capo 4 to play along with Osborne Brothers recording.

Sunny Side of the Mountain / Earl Scruggs

Genre: Bluegrass  Style: Bluegrass (Scruggs)   Key: G  Tuning: Standard Open G (gDGBD)  Difficulty: Intermediate
Posted by corcoran, updated: 11/29/2022 - 1 Member Comments
Download: TABLEDIT

Notes: The version of SSotM that Earl Scruggs played on is from a recording of an Opry radio broadcast in the late 1940s by Bill Monroe and the Blue Grass Boys. Lester Flatt sang it as a solo number, and Scruggs took a lovely up-the-neck break. Note the transition from G to C in measures 5 and 16, wherein Scruggs seems to be playing a chromatic passage with the notes G - Eb - D - C. As far as I can tell, he picks Eb rather than E. Does this make Scruggs the Father of Chromatic Banjo? You be the judge. The recording I took this from can be found on youtube. Although the recording seems to be in the key Bb, I have tabbed it in the key of G.

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