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 Playing Advice: 4-String (Irish Trad Music & Related Styles)
 ARCHIVED TOPIC: 17 or 19 fret


Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/397911

Shadyshamrock - Posted - 06/16/2024:  11:54:25


I’m looking to buy an Irish Tenor Banjo and could do with some advice.
I want to play melody and also accompany so am I right to look for a 19 fret?
I don’t want to spend too much but want something fairly decent that will last a few years, any advice greatly welcomed.

rcc56 - Posted - 06/16/2024:  12:50:57


Most 17 fret models have a shorter scale than most 19 fret models, which means that the frets are closer together on one with 17 frets.
How far do you want to stretch?

trapdoor2 - Posted - 06/16/2024:  13:49:10


I own both 17 and 19 fret models (a Bacon Blue Ribbon and a Paramount Style A). With Irish, the shorter scale of the 17 fret is just more comfortable for me. I rarely play chords on it, jigs and reels!

There's no reason you can't accompany on a 17 fret. 99.44% of us will never use those last two frets.

For Jazz, where I'm almost always playing rhythm, the 19 fret is my favorite. It is loud enough to be heard in ensemble and the longer scale doesn't matter as I'm chopping chords the entire time.

OTOH, it seems that professional Irish players prefer 19 frets. Some claim better tone with the longer scale...but I think it is simply that higher-end banjos of the later 20s and 30s got longer scale lengths. Everybody wants "the best", almost all of which were 19 fret tenors. Modern Irish tenor makers like Clareen, etc., usually feature 19 frets.

Parker135 - Posted - 06/16/2024:  14:09:09


I've had and played both for Irish music and I get it that the looser G string on a short scale can be an issue, unless going with a heavy string (which makes it more sensitive to tune) but I don't know that it really matters that much. It's still a banjo, after all. Recent discussions here (and also advocated by Enda Scahill) have suggested tuning the G string to A, since so very few tunes need the open G, so I'm going to give that a try with a 17 fret Little Wonder that I've just committed to buy.

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