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Tom Hanway |
In this setting we have "blue" notes in five places, i.e., flatted thirds and flatted sevenths. Otherwise, it's the same as the straight cakewalk tabbed version (next photo). Notice the ragtime syncopation in measures 3, 7,8,11, 14, 15, and on the final G chord at the end of the B Section. The ragtime and bluesy versions are very close - with the same syncopations happening in all the same spots. };^D>
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