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See below - is this the type you mean? The first is a Special #2 (non Silver Bell) from the 1930s. The second is a B&D-made Gordon from the same period.
I think most silver Bells from the 1920s had f-hole shaped cut-outs ( like the 3rd photo below - a 1925 Silver Bell # 2) or even simple round holes.
Edited by - jbalch on 06/02/2023 16:12:05
Thanks again John. Checking out Senoritas on the web that's seems tp be the resonator I'm looking at. The banjo may just be an unusual blend of B&D Whatever. It's a 17 fretter that has under gone a dowalectomy and had it replaced with control rods. I'm looking at it as a fun tenor for Irish and Fiddle music. This would not be going into any museums. When you're back to having heads available I'll want another like the calfskin I got from you for the 1916 Fairbanks-Vega 17 fret 9 X open back. What a Wonderfull sound that has. Thank you.
quote:
Originally posted by CullodenHere is a banjo I built with a resonator and flange from a Senorita. It has the same flange as yours. If the neck has 17 frets then it's a mystery. I have only seen B&D tenor banjos with 19 frets. Some of the early Bacon tenor banjos had 17 frets but they weren't marked B&D, they just said Bacon.
Some of the early B & D's did, in fact, have 17 frets. I have seen a few.
If I recall, Paramount introduced the first19 fret tenors.
Mark ... here's another one in the classifieds. If the seller were open to shipping to the states I would have been interested even though it's an arch top: banjohangout.org/classified/99428
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