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Originally posted by banjo bill-eI was given a Gibson SJ acoustic guitar in 1970 and it was rather dull and lifeless for a very long time but today rings like a bell with a beautiful tone. I have often wondered just what changed.
50 years of vibrations can have a tremendous effect on the tone of a flat top guitar. Also, I don't want to sound insensitive, but people's ears change over time and that could definitely be another factor.
-TD
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Originally posted by TLGF M principal
Is FM Frequency Modulation or Fart Magic? Maybe Fart Metrics.
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Originally posted by Alex Z"2001 Gibson ESS mysteriously comes alive after twenty years... "
What do you mean? What changes are you hearing?
One physically noticeable thing is the neck vibrates stronger than before. Simply put, it was flat sounding then over the last couple years it gradually began to sing. Others have noticed the difference too.
Many years ago I bought an Ibanez Artist 5 string. It was a well built and reasonably good sounding jo. I decided to strip it down and disassemble the pot and remove the neck. I reinstalled everything adjusting it from what i had learned over the years. It was amazing because it also suddenly 'came alive'.
Here's a guess
The tone ring may have been too tight at first, but after years of expansion/contraction the rim hasgotten a teensy-weensy bit smaller so the tone ring fits better.
When woods go through climate cycles, they most always eventually shrink slightly. Piano soundboards are a good example; they wouldn't crack without some slight shrinkage of the wood, and they never close up by themselves.
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Originally posted by ChunoTheDogHave you recently played it in a different room or building than the last 20 years?
There's rooms, homes, buildings etc in which I can really hear my banjo project way differently than when I play it in the usual haunts.
Thanks for your insight.
I've noticed sound differences room to room, building to building, standing waves and like too. However, it's beyond that. Nearly three years ago, I was going to take it cross country to have it looked at by experts.... then covid hit. That following year, the ESS rarely came out of its case. Then two years ago, it's flat spots began to diminish. Season over season it improved for no known reason. Now it rings crisper with more depth of tone than it ever did. That includes up and down the neck, mostly up the neck, no matter where I play it.
The old towel in the resonator looks the same too.
Kidding
"Then two years ago, it's flat spots began to diminish. Season over season it improved for no known reason. Now it rings crisper with more depth of tone than it ever did. That includes up and down the neck, mostly up the neck, no matter where I play it."
I'd go with the overtight tone ring previously, loosening up a bit as the wood "shrunk" over time. Maybe not actual shrinking like a t-shirt in hot water, but but transforming in the same way that guitar tops of old guitars transform -- reducing the capacity to retain moisture, resins/lignite and that kind of stuff. Doesn't take much -- a thousandth of an inch.
Too tight ring affects the high notes more, so loosening explains the improvement in the high notes that you are hearing.
Question: Have you ever taken the banjo apart in the past?
Perhaps it has more to do with the guy picking the instrument? The more your playing improves the better tone you will be able to pull from the banjo. A guy like JD Crowe could make any banjo sound good. You learn to adjust your attack to the sound qualities of the particular banjo. Part of this is not even a conscious effort.
All that being said, I know my ‘96 ESS has improved over the years as well.
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Originally posted by Frisco Fredquote:
Originally posted by TLGF M principal
Is FM Frequency Modulation or Fart Magic? Maybe Fart Metrics.
Foggy Mountain!
quote:
Originally posted by Alex Z"Then two years ago, it's flat spots began to diminish. Season over season it improved for no known reason. Now it rings crisper with more depth of tone than it ever did. That includes up and down the neck, mostly up the neck, no matter where I play it."
I'd go with the overtight tone ring previously, loosening up a bit as the wood "shrunk" over time. Maybe not actual shrinking like a t-shirt in hot water, but but transforming in the same way that guitar tops of old guitars transform -- reducing the capacity to retain moisture, resins/lignite and that kind of stuff. Doesn't take much -- a thousandth of an inch.
Too tight ring affects the high notes more, so loosening explains the improvement in the high notes that you are hearing.
Question: Have you ever taken the banjo apart in the past?
First of all, I'm no banjo expert. That's why I was going fly across the nation to bring this ESS to one who is.
This particular ESS is on it's third head. It's Richard Kulesh ring is well seated on the inner ring and slips off without the need of any tools. Maybe it should have been looser. I'll conclude with, I know an accomplished musician who ordinarily plays a Granada. He had a student with an ESS that had the same problem as mine. He ended up changing the rim. That fixed it.
In my case, the ESS slowly fixed itself... I was hoping for some insight on what could have possibly physically occurred within the banjo itself. That's the reason I brought up the subject here on the Banjo Hangout Forum.
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Originally posted by Frisco Fred2001 Gibson ESS mysteriously comes alive after twenty years...
Was it the forty odd seasons of temperature and humidity changes that caused the wood to relatively suddenly settle down?
FF,
Maybe there are outside forces at work. Have you recently moved next door to a nuclear power plant? Or perhaps an ELF transmitter?
Speaking of Elves; have you noticed anything strange or displaced around your house or in the vicinity of your banjo? Those Elves can be sneaky.
Seriously though, it does sound like you and your old Gibby are having a happy ending.
Enjoy!
P-A-L
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