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Edited by - mrphysics55 on 05/19/2022 08:46:42
I've got a couple of banjos by Arthur Tilley. English 1880's-90's that are made this way. I've not disassembled them recently but the neck grain pattern continues into the dowel stick and I'm pretty sure they are one piece from memories of the one I did take the neck off to re-skin.
When the neck and dowel are separate pieces the dowel is usually just glued into a socket at the end of the neck. No screws involved. You do sometimes come across a screw hidden by a heel plate - but AFAIK not on better banjos.
quote:
Originally posted by AndrewDI've got a couple of banjos by Arthur Tilley. English 1880's-90's that are made this way. I've not disassembled them recently but the neck grain pattern continues into the dowel stick and I'm pretty sure they are one piece from memories of the one I did take the neck off to re-skin.
When the neck and dowel are separate pieces the dowel is usually just glued into a socket at the end of the neck. No screws involved. You do sometimes come across a screw hidden by a heel plate - but AFAIK not on better banjos.
Several Clifford Essex models have the dowel reinforced by a screw.
I made my first gourd banjo with the dowel as part of the neck. After I had it all cut out, the dowelstick warped about 1/2" to the left. Rather than cut it off and dowel it traditionally, I simply cut an off-center hole in the gourd. The strings are tied to the right side of the protruding dowel...and are on center.
As far as I know, there are no, or very few banjos where a lag screw attaches the dowel stick to the neck— the dowel has a round tenon on the end, which is glued into a drilled mortise in the heel. The old Fairbanks ones were off-center turned so that the tenon came out at an angle so the hole could be drilled straight into the heel. A lag screw would be a weak and ineffective way of attaching the dowel, going into end-grain on both parts and would easily twist.
I see no rational reason whatsoever why, if you had the right tools, making the neck/dowel as a single piece would be beneficial—it would just waste material and be impossible to ever reset. I could see it on primitive banjos where the makers wanted to duplicate a primitive instrument, didn't have the tools to make a properly aligned dowel, or on a particular design where the attachment was truly a purposeful extension of the neck,or possibly a marketing differentiation ploy, creating the illusion of a better sound.
Edited by - Ken LeVan on 05/24/2022 05:48:05
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