Posted by JanetB
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- Play count: 1052
Size: 1,951kb, uploaded 7/3/2015 6:38:40 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
For the old-time Tune of the Week, 7/3/15, here are three versions. The first is Big Liza Jane from the banjo playing of Kyle Creed. Next is a similar tune via West Virginian fiddler Franklin George and his banjo-playing partner, Katie Johnson. Then comes my arrangement of Going Down to Cairo (sometimes called Goodbye Liza Jane).
2 commentsPosted by JanetB
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- Play count: 792
Size: 3,006kb, uploaded 7/3/2015 6:31:12 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
For the old-time Tune of the Week, 7/3/15, here are five versions of Liza Jane. The first is from a 1917 recording of Little Liza Jane by Earl Fuller's Famous Jazz Band. Second is J.P. Fraley's Little Liza Jane. Third is Mountaineer's Love Song via Al Hopkins and the Hillbillies (1926). Fourth is from Clyde Davenport and fifth is Bob Thornburg's Liza Jane, learned from Dwight Diller.
2 commentsPosted by JanetB, written by Wade Hemsworth
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- Play count: 957
Size: 1,196kb, uploaded 3/8/2015 7:52:49 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
Someone played this tune a while back and I wondered about the lyrics. Today I received them in the form of a youtube video made in Canada to promote the composer who is revered there for writing some enduring folk songs. It's a cute animation and the beginning shows log rollers doing an amazing job of balancing on logs in a river. The song is about a girl choosing the log roller to dance with because he makes it so fun. I'm playing my little old banjo with no tone ring and some nylgut strings.
1 commentPosted by JanetB, written by Bill Monroe
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- Play count: 577
Size: 1,084kb, uploaded 10/4/2011 5:54:42 AM
Genre: Bluegrass / Playing Style: Clawhammer and Old-Time
A slow waltz in the moonlight, a Monroe classic.
3 commentsPosted by JanetB
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- Play count: 197
Size: 1,064kb, uploaded 4/28/2015 6:00:14 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
Learned from the fiddling of well-known Missourian Lonnie Robertson (1908 - 1981). I'm just becoming familiar with some of his work and am impressed by his smooth, clear, fast playing.
1 commentPosted by JanetB
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- Play count: 560
Size: 1,509kb, uploaded 5/4/2019 1:30:57 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
For the old-time Tune of the Week, 5/4/19, Lonesome Road Blues is also known as Goin' Down the Road Feeling Bad. Check out the discussion thread for a very thorough coverage of this well-known song. I just sing a couple of verses here, out of many, many.
3 commentsPosted by JanetB
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- Play count: 306
Size: 1,627kb, uploaded 6/25/2013 7:37:57 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
From Alabama fiddler James Bryan who learned it from Mack Blalock. Lookout Mountain is near James home and Lookout Blues is the title of his first solo album. It has a crooked A part with lots of syncopation. The B part remind me of Cajun music.
Add CommentPosted by JanetB, written by Turlough O'Carolan
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- Play count: 1475
Size: 592kb, uploaded 1/28/2012 3:30:59 PM
Genre: Fiddle/Celtic/Irish / Playing Style: Clawhammer and Old-Time
O'Carolan composed this in honor of the 4th Earl of Inchiquin, County Clare, Ireland. It sounds like a minuet until the second part, when O'Carolan's signature melody surprises are heard.
3 commentsPosted by JanetB
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- Play count: 759
Size: 2,023kb, uploaded 8/29/2014 6:00:55 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
Kentucky fiddler John Salyer did the source recordings on both Lost Boy and Lost Girl. They're quite similar. The A parts differ, but the chordal flavor is the same and together they make a natural medley. Bruce Molsky recorded a CD with the title Lost Boy. Adam Hurt's Lost Girl on piano from his Insight CD inspired me to work on it.
2 commentsPosted by JanetB
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- Play count: 1226
Size: 966kb, uploaded 12/28/2014 6:14:21 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
This is a lyrical piece played by Stephen Wade using harmonics in f#DEAD tuning. It's been quite interesting to figure out how he did it.
4 commentsPosted by JanetB
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- Play count: 1306
Size: 1,142kb, uploaded 3/15/2014 3:31:31 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
From Adam Hurt's piano version, inspired by Kentucky fiddler John Salyer whose many tunes are always worth learning. I've also enjoyed playing my Gold Tone cello banjo with all nylon strings. Hope you enjoy, too.
5 commentsPosted by JanetB, written by Ed Haley
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- Play count: 952
Size: 1,093kb, uploaded 3/29/2014 2:22:19 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
This comes from Kentucky fiddler (originally from West Virginia) Ed Haley's historic recordings. As I recorded it I tried to imagine what it would be like for a real lost Indian and figured the title is also an allegory for any problem when you don't yet have the solution.
2 commentsPosted by JanetB
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- Play count: 2026
Size: 671kb, uploaded 10/11/2013 6:06:27 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
This version comes from Paul David Smith of Kentucky who learned it from his father. It's in the unusual tuning of fCGCD, though Paul played it in fDFAD. Mine's clawhammered, his was picked. I've wondered how many different Lost Indians there are. I know three distinct tunes called Lost Indian and have heard more than that.
11 commentsPosted by JanetB
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- Play count: 721
Size: 1,112kb, uploaded 7/28/2012 3:32:46 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
An old tune I remember best from listening to Doc Watson.
2 commentsPosted by JanetB
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- Play count: 257
Size: 1,448kb, uploaded 7/27/2016 10:00:08 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
When I heard this tune on the double CD set The Hammons Family it struck me as a unique fiddled version of Lost Indian. This is the fourth distinct tune I've learned with the same title and, really, I like them all. Mose Coffman was a good friend of the Hammons and was praised by Dwight Diller for his love of the music and his affinity for teaching.
3 commentsPosted by JanetB
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- Play count: 131
Size: 1,041kb, uploaded 12/27/2019 11:34:22 AM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
From the always delightful playing of WV fiddler Melvin Wine, here's the TOTW for 12/27/19. The B part is crooked and leads back to the A part quite easily.
2 commentsPosted by JanetB, written by Jay Ungar
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- Play count: 186
Size: 1,412kb, uploaded 5/11/2017 6:11:58 PM
Genre: Old Time / Playing Style: Clawhammer and Old-Time
Many know of and play Ashokan Waltz. This other waltz by Jay Ungar has a similar feel -- a lovely tune written in modern times, but as old-timey as I like.
Add CommentPosted by JanetB, written by Dave Hum
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- Play count: 988
Size: 1,008kb, uploaded 6/27/2014 3:27:57 PM
Genre: Fiddle/Celtic/Irish / Playing Style: Clawhammer and Old-Time
Today Dave's daughter, Perri, loaded an original tune Dave played while busking. We who looked forward to his videos here miss Dave and keep his music alive. I'm trying a clawhammer version of this tune and also enjoyed looking up the site called Lulworth Cove in Dorset. I figure Dave must have brought his family there.
2 commentsPosted by JanetB, written by Turlough O'Carolan
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- Play count: 87
Size: 971kb, uploaded 7/6/2019 5:11:35 PM
Genre: Fiddle/Celtic/Irish / Playing Style: Clawhammer and Old-Time
Mabel Kelly is one of O'Carolan's "planxties" written in honor of a patron where he would stay as he traveled, earning his living in Ireland as a blind harpist in the late 1600's and early 1700's. Miss Kelly was most likely the daughter and heiress of a castle, but died five years before her father. The best source for learning about O'Carolan's life is a biography by Donal O'Sullivan. My Gold Tone cello banjo is equivalent to double C tuning but down four steps to double G.
1 commentPosted by JanetB, written by Turlough O'Carolan
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- Play count: 101
Size: 2,326kb, uploaded 7/6/2019 7:03:07 PM
Genre: Fiddle/Celtic/Irish / Playing Style: Clawhammer and Old-Time
I've been attempting to learn Mabel Kelly for a while and decided to enhance it with cello banjo accompaniment here. The chords give it a flavor that is just suggested in a clawhammer solo. The Garage Band recording quality isn't as good as I'd hoped, though I have a good Yeti microphone.
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