Paul Bock posted a forum topic 'Can you "date" a Tennessee 20 tone ring by the serial number?' 9 days
After mulling it over for far too long, I finally decided to try something I've had a hankering to do for quite a while: Try a different tone ring in the "Snowflake Special".
While the ring I installed in 2008 was 'WAY better than the original one installed in the 1984 "re-grouping" of the banjo (which was first built in 1982), I somehow felt that it just didn't take the sound completely to where I wanted it to be. Because I was barely active for almost a full decade after that 2008 change, I resisted making a "late in the game " change ("late in the game" for me, that is) until I began to "rejuvenate" my playing in 2019. After some mulling over of options I decided to "bite the bullet" and make one more tone ring change to see if I could get closer to what I wanted to hear; i.e., putting myself in a position to at least "check out with a smile" when "my time" came (oops, sorry for the "gallows" humor, but when you pass into "octogenarian-land" you can take those liberties, LOL!).
The choice of what to try was actually easier than I thought it would be, especially when I recalled the words of old friend Chris Warner, made when I first mentioned making a tone ring change back in 2006: "Well, I've had really good luck with the Tennessee 20 in a lot of banjo upgrades." Stupid me went in a different direction, of course..........
Anyway, after thinking about it more and more over the past two years, I finally decide to take Chris's advice. But before handing over "full price" for a brand new T20 I thought I'd check the BHO classifieds, and voila! - there I found a basically "NOS" ring that someone had owned for over two decades and never used. The ring is s/n 274, and last night I tore down "Snowflake" and dropped #274 onto the rim. It was an easy slip fit, so I buttoned the banjo pot back together, did some careful preliminary head-tightening, and left it overnight to "acclimate".
Late this morning I reinstalled the neck, tailpiece & strings, and bridge, and with no further head adjustments commenced to try it out. Right out of the gate, it sounds AWESOME! Clean, crisp, definitely has what Scott Zimmerman refers to as "pop", and I know that I don't even have the head tension anywhere near optimal (that will come about the middle of next week when I receive my DrumDial and can see exactly where it is and where it's not balanced). I'm probably going to start at 88 and work up to 90 to see what changes and how. Then there are the "tailpiece tweaks", etc., etc., that will all be part of the setup package.
Lest this sound like an onerous chore, let me assure all of you that, to me, it's not. I'm an engineer, and "tweaking & measuring" (admittedly sometimes followed by "back to the drawing board", LOL!) has always been my bread & butter. Besides, I'm using a thick, heavy two-piece-flange rim, so it's going to be interesting to see how much I can coax out of this setup as compared to the lighter, thinner one-piece-flange rim. But right now, I have to say that the combo sounds better than this banjo ever has in its 38 years of existence (well, 40 years for the neck).
Stay tuned (pun intended!). ;-)Add Comment
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Ira Gitlin replied to topic 'Anyone taken lessons from John Bullard in Philadelphia? Worth It?' 12 hrs
Playing Since: 1956
Experience Level: Purty Good
Paul Bock has made 4 recent additions to Banjo Hangout
Occupation: Retired Navy (E-9) and retired electrical engineer.
Circa 1982, hand-built (by me) "Snowflake Special" 5-string flathead Bluegrass resonator banjo w/2-piece flange; in 2008 I swapped out the tone ring for a JLS No. 12. Victor 5-string Banjola serial # 9.
Most everybody is a favorite now, especially Tom Adams & Craig Smith, but Don Reno, Allen Shelton & Earl Scruggs were my first favorites back in the early 1950s. Also have played a little bare-finger classic style on a nylon-string banjo.
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Born in Richmond, VA, and raised on a farm. Started teaching myself banjo in 1956. Competed in the North Carolina State Fair Folk Festival banjo contest and took 2nd place in 1962 and 1st place in 1963. Played with local groups between 1960 and the late 1980s but had to quit due to injuries to the fingers of my right hand and then breaking my left wrist in 2014. I've been working diligently to get back "playing form" since 2016 and I'm encouraged my progress so far, but it's a long road and slow going. I also dabble occasionally with classic finger-style using nylon strings. My instruments include a 5-string banjola by Victor (formerly EVD) Instruments which is a lot of fun for folk music, jazz, classical & Irish pieces. **************************************************************************** In the real world, I'm a retired Navy Master Chief Petty Officer (E-9) and a retired electrical engineer with over 20 years experience in radio broadcasting, defense electronics and telecommunications. I have B.S. and M.S. degrees, am a Life Senior Member of the Institute of Electrical & Electronics Engineers (IEEE) and co-holder of a patent in electronic design. I also hold several commercial radio operator licenses (Radioelegraph, General Radiotelephone, and GMDSS Maintainer, all with the Ship Radar Endorsement. ***************************************************************************** My other hobbies include Amateur Radio (licensed as K4MSG since 1957 and have always been an avid radiotelegraph operator). I've also spent time dabbling in various digital modes including meteor scatter and Earth-Moon-Earth (aka "moonbounce") communications. I'm also a sporadic amateur astronomer. I love to read, especially history, and have dabbled in historical research on topics of interest including evolution of the 5-string banjo, development of certain types of telegraph keys, wireless telegraphy, the Revolutionary War involvement of my ancestors, etc. My wife & I enjoy travel, especially cruising on Princess Cruise Lines (19 cruises so far, including 7 transatlantic crossings).
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