DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device.
Take your playing to the next level with the help of a local or online banjo teacher.
Weekly newsletter includes free lessons, favorite member content, banjo news and more.
Posted by Ryan Cavanaugh on Monday, February 21, 2011
Download the free track here:
http://www.allaboutjazz.com/
Ryan Cavanaugh & No Man's Land Also no surprise, then, that Ryan Cavanaugh & No Man's Land—not the banjoist's debut, but the first to fully realize his nexus of newgrass and new jazz with his kick-ass quartet—includes "Johnny Mac" which, of a kind with the fusion legend's recent 4th Dimension writing, finds Cavanaugh soloing with similarly frightening speed and raw, overdriven dexterity. While still raising the bar for his instrument, Fleck's work with The Flecktones has, in many ways, settled into uncomfortable predictability and a style over substance approach, his groundbreaking group often resorting to virtuosity as an end, rather than a means. For Cavanaugh, groove is paramount, whether in the fiery energy of "Johnny Mac" or "Grand Dragon," the funkier, mid-tempo "The Ballad of Edgar Boone," or the breezy, simmering intensity of "Wayne's Tune." Nor has Cavanaugh lost sight of the fundamentals of melody, even when delivering them at light-speed. And despite no shortage of composition complexity in these original charts, Cavanaugh also appreciates the need to let his music breathe. That's not to say he isn't relentless when then music demands, but Cavanaugh also knows a thing or three about focused development, his opening solo on "Grand Dragon" building from zero to a massive climax, combining single-note runs with some of the scariest finger picking this side of Earl Scruggs. There's also plenty of space for his band mates, including drummer Bryon Larrance, who solos with similar structural attention over an ostinato that builds towards a searing solo from Evans, who's not a member of the group, but nevertheless guests on all but four of these five Cavanaugh compositions. Keyboardist Tyson Rogers brings plenty of vintage sounds to the date, his tremolo'd Wurlitzer a shimmering undercurrent to Cavanaugh's greater lyricism on "The Ballad of Edgar Boone." With his bluegrass roots largely subsumed in a contemporary vibe clearly informed by his Soulgrass boss' accessible energy, they do percolate to the surface on "Long in the Tooth," the closest in complexion to The Flecktones and featuring a similarly thematic solo from bassist Kevin Knapp, before Cavanaugh takes over with another show-stopper. Unlike Fleck, Cavanaugh isn't starting out with major label support, forcing reliance on the internet and word of mouth to get the message out. Still, if there's any justice, Ryan Cavanaugh & No Man's Land will get out there, making clear that there's plenty of room in the jazz continuum for another stellar banjoist.
Ryan Cavanaugh & No Man's Land | Self Produced (2011)
Published: February 7, 2011
Discuss
Print
Email
Ryan Cavanaugh & No Man's Land at All About Jazz | More Links...
Be the first to comment on “Download a free track from "Ryan Cavanaugh & No Man's Land" at www.allaboutjazz.com”
You must sign into your myHangout account before you can post comments.
Terms of Use | Privacy Policy | Copyright 2022 Banjo Hangout. All Rights Reserved.
Newest Posts
'Password reset' 1 hr
'Advise on polishing' 7 hrs
'Dobro Resophonic Banjo' 10 hrs
'Deering Vega Senator' 11 hrs
'Gibson RB' 11 hrs
'Info on Kay banjo ' 11 hrs