I was listening to Eddy put this song through it paces, it was so cool. I especially like the cycle from A7 to C7 and also, I have a question about the movement of Fmaj-Fdim-Cm-D7........why does that work? whats the theory behind that movement?
Those are some nice changes in there. I really like the song too. Lynwood Lundsford has a nice 5-string version of this tune when he picked with Lost and Found. I will try to fit some of these changes in.