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beezaboy Senior Member
   
United States
975 Posts |
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rexhunt
Senior Member
   
United States
1268 Posts |
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clawhammerjazz
Average Member
 
United States
172 Posts |
Posted - 10/26/2009 : 16:43:42
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Hi, Beeze. The block and dot inlay pattern Vega used in the early 60's with no inlay on the 15th fret is consistent with the comparable pattern (star, dots, and leaf) used on the Vegaphone Professional model introduced in the '20's. Higher grade Vegaphones and the later 60's Pro II models did have an added inlay at fret 15. A Vega Vox typically has a deeper and fuller sound than a Pro model. In a tenor, this may or may not, of course, be desirable. Jimmy Mazzy is probably the most prominent tenor Vega Vox player. For a plectrum player, on the other hand, the Vox sound is something many covet and is often described as clear, deep, and sweet. As to the issue of your banjo's lengthy sustain, the 60's Vegas are very resonant and bright. You may want to put one of Bill Miller's skin heads on it and to try one of Jim Farquhar's cherry bridges, which he actually recommends normally for the Voxes. Taking note of the price you paid for your Vega, I would say you did quite well. Congratulations! --Cjazz
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Edited by - clawhammerjazz on 10/26/2009 17:04:07 |
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beezaboy
Senior Member
   
United States
975 Posts |
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budbennett
Forum Regular
  
United States
664 Posts |
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