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brokenstrings Forum Fixture
    
United States
13253 Posts |
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carteru93
Forum Fixture
    
Canada
5361 Posts |
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deuceswilde
Senior Member
   
United States
1346 Posts |
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chip arnold
Forum Fixture
    
United States
5437 Posts
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chip arnold
Forum Fixture
    
United States
5437 Posts
Online
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brokenstrings
Forum Fixture
    
United States
13253 Posts |
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switzforge
Senior Member
   
United States
1123 Posts |
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brokenstrings
Forum Fixture
    
United States
13253 Posts |
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RedZinger
Forum Regular
  
United States
435 Posts |
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frodo1mjg
Forum Regular
  
United States
520 Posts |
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magnuscanis
Average Member
 
Wales
249 Posts |
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jbgruver
Forum Newbie
United States
11 Posts |
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TonyS
Rollin' Forward

United States
97 Posts |
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banjo_brad
Forum Fixture
    
United States
2476 Posts |
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zenwriter
Forum Newbie
United States
13 Posts |
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Alan Friend
Average Member
 
United States
134 Posts |
Posted - 07/19/2008 : 09:48:39
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Hi BrokenStrings,
Another useful topic might be repairing broken fingernails and maintaing nails. I know I've seen a number of threads on this.
Alan www.alanfriendmusic.com ------------------------ CD "Had a Dog" available at www.cdbaby.com |
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jbgruver
Forum Newbie
United States
11 Posts |
Posted - 07/19/2008 : 12:33:08
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quote: Originally posted by brokenstrings
I'm making this a sticky so's to cover some of the newbie questions that recur again and again. This is the place to input your say on such questions as
* index or middle? * What is OT as as opposed to BG? Classic? Jazz? * What other kinds of OT besides CH are there? * Why do OT players use so many different tunings? * What's Seeger-style? * What, if anything, is the difference between frailing and clawhammer?
That's for starters. Feel free to contribute your own and/or reject some of the above if they don't seem especially appropriate. Also feel free to disagree, politely, with someone else's advice. We want all legitimate points of view represented here.
Jessy
Frailaway, ladies, frailaway!
For what it's worth, a real old timer (instructor) taught me that Pete Seeger "taught himself" by listening to old 78 rpm records played at 45 or 33-1/3 from the Library of Congress and other sources. He (by guess and by gosh) decided that the picking was being done on the "Up-Stroke" since he did not have an instructor or anyone to clarify this issue. Now this may be an "Urban Legend" I do not know. I was taught the down stroke, of course, using "THE ATOMIC Minstrel Banjo Pick, Nickel-Silver, 26ga Small" my hands are medium so they run large (or they did when I bought my two). My nails are brittle and split, snag, and tear constantly. Without "THE ATOMIC" pick or a similar accoutrement, I would not be able to play clawhammer. I glued little patches of fine sandpaper on the inside of the pick (using cyanoacrylate or super glue) to keep it from falling off the end of my finger (a suggestion from this website, I do believe). A friend of mine tapes his pick or picks on with clear cellophane tape when he plays before an audience for some "Insurance."
Pete Seeger also came up with the use of a neck with three more frets at the "nut" end of the neck to obtain an accompaniment "range" to match his "Baritone" singing range. I guess most everyone knows this by now. Of course putting a capo on the third fret of a "long neck" gives you the standard size Banjo range (22 frets?). I would like to obtain a long neck and learn more about it. |
Edited by - jbgruver on 07/21/2008 10:44:13 |
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TonyS
Rollin' Forward

United States
97 Posts |
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GShannon
Forum Newbie
United States
24 Posts |
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brokenstrings
Forum Fixture
    
United States
13253 Posts |
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StevenJack
Forum Newbie
United States
1 Posts |
Posted - 08/29/2008 : 22:56:30
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Nice site.Same here, more or less. Predominantly index finger.Thanks for any problem to search Google.
[url=http://www.yishanteashop.com]Green Tea[/url] [url=http://www.yishanteashop.com]Oolong Tea[/url] [url=http://www.yishanteashop.com]White Tea[/url] |
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penick73
Forum Newbie
United Kingdom
5 Posts |
Posted - 09/04/2008 : 09:19:09
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Hi Guys This debate could go on for ever ! Myself, I always use the middle finger, sometimes with a pick but mostly without. However when all is said and done, does it really matter how you do it ? Surely the important thing is to play your banjo and to get the best sound and rhythm you can...........doesn't really matter how you achieve it, just enjoy yourself. Peter
All the world is a banjo......play it.
Pickin happy ! |
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KI4PRK
Senior Member
   
United States
1292 Posts |
Posted - 09/04/2008 : 15:40:17
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quote: Originally posted by brokenstrings
I * What other kinds of OT besides CH are there?
There are several different kinds of old time picking other than clawhammer. In fact, one of the primary reasons clawhammer is most popular today because of Pete Seeger and other Folk pickers in the 50's/60's utilized clawhammer or clawhammer-like styles; finger picking has been used for almost as long as the 5-string banjo's been around.
I'll list some of the predominant syles below:
2-finger "Kentucky" or index lead: Supposedly this comes from the WV/KY region. I have nothing to back that up, however; I've commonly heard it referred to as the KY style. This is a fairly simple, 2 finger up-picking style where the index plays the main beats and the thumb (mainly) hits the off beats. I find it bears a strong resemblence to drop-thumb clawhammer. It is often combined with middle finger down brushes, which sounds even more like clawhammer, although not as loud, and with a faster, more driving feel. I think it's used mainly for fiddle tunes, but a more knowledgeable historian would need to answer that question for sure.
2-finger "North Carolina" or thumb-lead: Again, I've heard this called NC style, so I would assume it comes from north carolina, probably from Earl Scruggs' general area. In this 2-finger up-picking style, the thumb plays the "on" beats and the index is the filler with the off beats. I find this works best with ballads and songs, but others may play it differently. It tends to be slightly simpler than Index-lead (KY) style.
Old-time three finger: Still learning a bit about this one. It sounds a bit like (and undoubtedly influenced) Bluegrass but a bit simpler, with mainly forward, backward, and alternating-thumb rolls (for those who know something about BG banjo). It's easy to figure out why; the alternating roll is the basic drop-thumb clawhammer or 2-finger roll, and it's easy to adapt to the addition of the middle finger. The Forward and backward rolls fall naturally to the fingers as they are just arpeggiated versions of the clench, or pinch. A lot of the melody here, as in 2-finger, tends to be played with simple runs, rather than rolls. There are many variations on this style. Many rural folk (hillbillies) heard the classical banjo three-finger style (which itself was adapted from classical guitar) and adapted it to their songs, so varying degrees of "high-class" picking have worked their ways into old-time picking. Earl Scruggs in "Earl Scruggs and the 5-string Banjo" mentions that several good OT 3F-pickers lived near-ish to him.
Clawhammer/frailing-like styles: Many variations of the basic double-thumb, drop-thumb, or bum-ditty clawhammer styles have evolved over the years. So called Seeger-style, made famous by Pete Seeger, and involves picking up on the melody note, then a down brush, is much older and is related to the above KY-2 finger style, although with subtle differences. Mike Seeger (Pete's Half-brother) mentions a very very old african clawhammer style in his DVD series "Southern Banjo Styles", which he called cross-picking. As in basic clawhammer, no brushes are used, and many hammer-ons and pull-offs are used. The index finger picks both up and down on the strings.
Countless other variations exist of all the other styles, and I'm hardly the guy to talk to. I just mentioned what I know, and if I wasn't sure about something I mentioned it. I highly recommend the previously mentioned Mike Seeger DVD set, "Southern Banjo Styles" which I am still watching. It tells a lot about many different styles. Also be sure to ask other players, and read books, if you want to learn as many styles as possible (like me).
73, Brennen KI4PRK age 14
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Edited by - KI4PRK on 09/04/2008 15:44:00 |
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Shook Barley
Forum Newbie
United States
21 Posts |
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KI4PRK
Senior Member
   
United States
1292 Posts |
Posted - 12/03/2008 : 18:44:11
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quote: Originally posted by Shook Barley
quote: Originally posted by TonyS
I know this is probably been mentioned a million times - How about new strings, types of strings, which are good for which style, does it really matter, etc. I just about got guitar strings down - as a banjo newbi, I dread the first string change! 
Nice site by the way!
***************************************************************************************** Sometimes you''re the windshield, sometimes you''re the bug. - Dire Straits
Agree completely about the site! Who knew?! So, which string gauge do you prefer for clawhammer style playing? My old bluegrass teacher said to use light gauge. When I bought my open-back, and asked for light gauge, the shop proprietor talked me into medium.
Thought I heard a chicken sneeze....
I've found I like light gauge and medium gauge equally for Bluegrass (they both have their pros and cons) and my banjo is usually in a setup up leaning more towards bluegrass. But when my banjo is equipped with medium gauge, I prefer their slightly louder sound and better resistance against my fingernails.
73, Brennen
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Michael Smith
Average Member
 
United States
159 Posts |
Posted - 12/15/2008 : 14:21:08
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KI4PRK,
do you work CW?
N0XY
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