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Playing Since: 2009
Experience Level: Purty Good
tomberghan has made 160 recent additions to Banjo Hangout
Occupation: Professional Musician until age 37, now I am an Engineer
1) Chuck Lee - Vintage Ovilla made in 2008, 12" hardrock maple rim, Kat Eyz bridge - Old Maple and Purpleheart, W.D. Miller Vellum Calfskin head
2) Banjo d'Amore (Orpheus) - Dan Knowles, 2011
3) 1929 Gibson TB-2, four string
4) 5-string Buck Creek - Arthur Hatfield, 2012
5) Gold Tone Fretless Bass Banjo BB-400 Custom, bass tuning EADG, 2010
6) Soprano 4-string - Gold Tone, custom 2011
7) Autumn 2013 - I have a Mini-Banjo on order from Marvin Walker, http://www.banjomaker.net/
Earl, Don, Ralph, JD, Jim Mills. I like the "old stuff" and older styles. I admire many of today's younger "progressive" artists, but I have always enjoyed collecting records from the 1920s through to the early 1960s. That fifty year period of American music is my favorite: Bluegrass, Old Time, Blues, Hokum, Rags, Swing, Hillbilly, Country, & Rockabilly. That's for me!
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Size: 955kb, uploaded 9/20/2009 12:57:48 PM
Tom Berghan Clawhammer, recorded September 20, 2009. Chuck Lee Vintage Ovilla 2008, Kat Eyz Maple/Purpleheart bridge, Vellum Calfskin head. Pitch @ 415 - I got a gal at the head of the creek
Goin up t' see her 'bout the middle of the week
Kiss her on the mouth, just as sweet as any wine
Wraps herself around me like a sweet potatoe vine
on “Cripple Creek - double-C”
Sunday, September 20, 2009 @4:19:24 PM
Very nice. You can be proud.
Monday, October 12, 2009 @1:29:47 PM
Love this version of it, Best Cripple Creek I have ever heard!
||Don Borchelt Says:|
Thursday, October 15, 2009 @5:09:17 AM
A whole new take going up the Creek. Fine job. "Cripple Creek's wide and Cripple Creek's deep, gonna wade old Cripple Creek before I sleep, the hills are steep and the roads are muddy, I'm gonna kiss those girls 'til they can't stand steady."
Monday, June 07, 2010 @5:35:25 PM
and another one tom just really great
||Karen Kruske Says:|
Sunday, August 22, 2010 @2:03:07 PM
Really sounds great. Keep on pickin'
||Mark Johnson Says:|
Wednesday, September 22, 2010 @7:43:00 AM
I think my favorite thing in old time is when a real chestnut feels fresh, as it does here. great job, Tom.
||Sporting Lad Says:|
Tuesday, December 21, 2010 @10:17:52 PM
Ooooo...Love that sound! Could you please tell me what kind of strings you use?
Your instrument sounds so ...mellow...compared to the "bright and ringy" tone of mine. Is it your strings, or is your Chuck Lee Vintage Ovilla set up differently?
I've got a Gold Tone CC-50; I've just begun banjo in October, but I know the sound I'm after, and you've got it. Thanks in advance for any tips. :o ]
Wednesday, December 22, 2010 @4:38:24 AM
10, 11, 18 wound, 26 wound, 10. Skin head. But other than the strings (which are heavier than most people use) the most significant factor is the lack of any tone ring. It is just a simple wooden rim with the skin&flesh hoop and tension hoop. Hence the absence of any ringing reverberation sound. Next of course is the head, which is thick calf skin. Goat skin is good too.
||Sporting Lad Says:|
Wednesday, December 22, 2010 @8:14:06 PM
Hmmm. I thought maybe they were 'nylgut' strings or something.
No, my brother has an Aida (sp?) bluegrass 5 with a tone ring. He loant it to me last year, and the 1st thing I did was to remove the resonator back. The thing still just CLANGED. And it was heavy. Like 9 pounds. I hated it, so I returned it to him and got this Gold Tone, which is perfectly fine for me. I'd just like the tone(?) to be 'mellower' (more 'golden') :o] if you know what I mean. I thought about taking some tension off the head.... My GT has a "Remo" head that looks rough on the outside, but shiny like plastic underneath. I've got a few bodhrans and African hand drums that have goatskin heads.
Are you familiar with Michael Cooney's work on banjo? He has a similar sound, altho he often plays fretless.
Do you think changing over to heavier ga strings will get me closer to the sound I want, or will I still need the skinhead?
Wednesday, December 22, 2010 @8:56:02 PM
First, try stuffing a hand towel against the underneath of the head. Does that sound closer to what you want? If so, then get a skin head. He "clang" you describe comes from the tone ring. It is a feature. If you play rolls like Earl Scruggs, it helps create a "ringing" sound. But for clawhammer I don't like it very much. The resonator will improve the bass end. If you want a more round rich sound, wear a resonator. I do. The heavy strings give me more "plunk," and the pitch is more stable. It tales a bit of experimenting. Keep experimenting.
||Sporting Lad Says:|
Wednesday, December 22, 2010 @10:00:59 PM
The strings I'm using now are: 10, 13, 16, 24(wound) and 10. This looks similar to what you're using. I'm surprised. Here I thought the secret would be in the strings. I could replace my st 16 & wound 24 with 18&26 wound, but would that make much of a difference?
OK, now for the really dumb newbie Q: What's a "Tone Ring"? I think my new cell phone has one...no, wait--that's a "Ring Tone" 'o ]
I thought you were referring to the resonator back (which my Gold Tone never had). Sorry, I must be coming down with a bit of brain fade tonight.
I started playing guitar in the '60s, so you'd think I'd know a thing or two about a thing or two by now, eh? So what's a tone ring?
FYI here's a pic of my banjo;
In the 70s some scientist kept telling us how
we were killing off 17,000 brain cells on a good night at the pub.
Back then I never thought I'd ever have need of them but, man,
I sure could use some of them now!
||Sporting Lad Says:|
Thursday, December 23, 2010 @10:57:18 AM
Tom, thanks so much for the PM this AM :0) and that wealth of info. I'm going to do a few of those experiments you suggested.
This post will put some closure to the recent series of questions I posted regarding your 'sound'. Thanks again.
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