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The NGDB, Pete Anderson (Latvian music icon) and the USSR... or, Russia 0, America 1
by John McEuen, Aug. 1, 2010
In 1977 the Nitty Gritty Dirt Band became the first American group to perform in the Soviet Union, an historic event of 28 sold out concerts that was covered by various media including U.S. News and World Report, CBS Nighttime News and Rolling Stone. Jim Brown, documentary director of “Rockin' the Iron Curtain“ (it explores how American music 'brought down the Iron Curtain, the Berlin Wall and the collapse of the Soviet Union itself', due for release in 2011) contends that “with their Soviet tour, the Nitty Gritty Dirt Band opened the door that allowed this to come about.”
140 million viewers saw their one-hour performance on a Moscow Television show. Their 28 sold-out concerts caused scenes still talked today about.
During the tour (in Riga, Latvia), they crossed paths with Pete Anderson, already an underground music legend in his country. A friendship started between Pete and band member John McEuen that continues to this day, that now led to this recent historic event in their lives, one that could only be dreamed of when they met. It would have seemed then an impossible dream, but it has come about: Pete making a cameo appearance during the NGDB's headline performance at Norway's Seljord Country Music Festival, putting Anderson and the band together for what would have been impossible and illegal in the '70's.
The importance of this circular path is best understood when one knows some of Pete's journey, and the effects of American music on the lives of those in the Soviet Union:
When Pete started his music career performing Little Richard songs on stage in 1959 - it was an illegal activity. Although he was continually harassed by the KGB, shows stopped, had electricity turned off during shows, audiences dispersed, warned of arrest, and physically threatened continually.. he continued. His art and music developed, and the word spread - Pete Anderson became the underground Latvian rocker people sought out, both for his representation of American rockabilly music and his own growing list original songs..
But.. he became too popular.
By 1972, after years of defying the authorities by performing and building up a large Baltic fan base, the KGB threatened to kill his newborn daughter if he didn't stop performing American music...at which time he went into depressed seclusion in the countryside outside of Riga, Latvia's capital, playing and writing only for friends and very private parties.
One night two years later, he went where a college a band was playing the usual “approved” music. Recognized he was coaxed on stage to sing. Pete gave the performance he was known for, but after a couple of songs realized his mistake. With thoughts of his wife, soon to deliver their 2nd child, he quickly exited the building to head home to his family. The KGB met him outside and nearly beat him to death--to be revived in the hospital later that night.
With further threats to him and his family, Pete returned to his house, got lost in alcohol, and didn't sing in public again until the late 1980's, when the Kremlin started to lose its grip and control over Latvia. Threats of prison and physical harm began to finally fade by 1989, and he was 'allowed' to make his first record (after 30 years!). His career “officially” began.
Pete is a now a music hero and star in the entire Baltic region, and freely headlines his own engagements. He has made many music videos and albums, and continues his successful career today. In 2006, Latvia honored him with his own Postage Stamp - representing and honoring his impact as a cultural hero and great music artist.
The circle of music was be unbroken July 30 when Pete Anderson joined the Nitty Gritty Dirt Band for a cameo appearance (during their classic version of Will the Circle Be Unbroken) as they headlined Norway's Country Festival in Seljord. Pete, flying in from Latvia for this event, did something that would have been illegal, life threatening and impossible in an earlier era.
It is ironic that even prior to the 1970's it was deemed by the KGB that American music was a capitalist plot that could cause great damage to and 'overthrow' Communism; in the same period, many in America declared Rock and Roll a communist plot to overthrow America. For once, the KGB was right on target.
At this current time, when America's past influences in the world are often questioned and criticized, this is a great example of how American music has helped effect a great change socially and politically. It has been said that the Dirt Band helped create the first cracks in the Iron Curtain; that after their 28-concert sold out Soviet tour in 1977 other acts would follow. Although that took 7 years until then… music eventually helped set them free.
The Show
July 31, 2010 Seljord, Norway
Pete arrived Seljord excited and ready to rock, dressed for a Buddy Holly album shoot, with a smile to match his excitement. When I met him at the hotel, Jimmy had been talking about hot cars and stuff American, and Pete fell right in to the rap, eating it up.
Later, as he watched the sound check, wondering what was going through his mind, he told me “It is like a dream, something I never thought possible. Playing my favorite music with a real American band”. He waited for the end of the set, when his turn would come.
A great festival audience and hot response led to the encores that would bring Pete out. After an appropriate introduction celebrating this event, one that would have put him in jail in another era, or brought personal harm to him and/or his family as it had, Pete came out with guitar and voice to sing on Will the Circle Be Unbroken. His contribution turned this encore of ours in to a response that heated the Norse audience even more, and led to being called out for a second encore when they would not quit. So, we didn't quit either, and lit in to Jambalaya.
Playing rhythm guitar, Pete traded verses with Jeff, sang on the choruses, as if he had been doing it with us for years. They went crazy, that crowd… and after a show where people were singing back our own words for many songs as loud as the monitors, with rousing applause and screams. It was our best acceptance ever in Norway, especially for the new music from the current 'Speed of Life' album, they just got louder than ever… but we had been on almost two hours and at 1:00 a.m. it was time to call in the dogs, put out the fire, and head it on back to Bowlegs. (And, earlier in the set, that song went over like a hit!)
Thank you Pete, for your dedication and pursuit of American music, and giving us a new appreciation of that. Thanks to all those fans who gave us a career that allowed this to come about, for you are all part of it. And, especially thanks to all those in our past who fought for the freedoms we often take for granted, but seem to exercise every day, that made this dream a reality.
Videos
Below are Pete's music videos - the first two both filmed in secrecy while the Soviets still controlled Latvia. In the last two videos, just made, you will see his wife of ten years (a trained chemist, who threw out her test tubes and picked up a double bass) now backing Pete up.
"Good Rockin' Tonight" (1990)
"Jump, Jive & Wail" (1991)
"Baby, Let's Play House" (2010)
"Shake, Shack a Dooby" (2010)
About the Author
A founding member of the Nitty Gritty Dirt Band (now in their 44th year) John McEuen has continually performed since 1964 - 8,500 concerts and 300 television shows through more than 3 million miles - both with the band and as a solo performer. Beyond performing, he has a rich history of creating, producing and preserving original and traditional folk and acoustic music, and taking it to new audiences.
McEuen has made over 40 albums (6 solo) that have earned four platinum and five gold recognition awards, Grammy nominations, CMA and ACM awards, an Emmy nomination, IBMA record of the year award, and performed on another 25 albums as guest artist. He's also produced more than 300 concerts throughout his career - the first in 1965 in Long Beach Calif., a co-production with Bob Dylan.
McEuen's expertise as a producer is equally respected. His production of Steve Martin - The Crow won the 2010 Best Bluegrass Album Grammy. The Music of the Wild West CD- produced by McEuen, was honored with the Western Heritage Award. In 1994 he received the Uncle Dave Macon Award for his excellence in and pursuit of preserving and performance of historic music. On Sirius/XM's The Village, John's popular Acoustic Traveller show is now in its 5th year. His numerous film and television music scores include the Emmy-nominated Braving Alaska (Nat'l Geo) and the 10 hour miniseries The Wild West for Warner Bros. Television. McEuen produced and directed the 2006 documentary film The Dillards - A Night In the Ozarks, which captures his early mentors at their best.
McEuen's countless jams include street performers to Phish, Earl Scruggs, Levon Helm… and even on Sesame Street with a herd of goats and a cow! John is the only California musician to perform both solo and with a band on the Grand Ole Opry. Arguably, McEuen's most important legacy may be his instigation of what Rolling Stone called “The most important record to come out of Nashville” and what the 2004 ZAGAT survey called “the most important record in country music” - Will the Circle Be Unbroken - in 2006 CMT named it as one of the 40 most important albums in Country Music.
Learn more about John at www.johnmceuen.com
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