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brudford - Posted - 11/17/2009: 11:15:07
http://www.youtube.com/watch?v=GJqULQpGTQ0 I wanted a clawhammer version of Clinch Moutain Backstep by Ralph Stanley, but I felt most were not true to the orignal . So at the above link you can see the master play it himself . I found it fairly difficult to capture and tab out this tune trying to keep it's orignal feel with a clawhammer version . In the video Ralph capos at the second fret. You can play my version capoed to the key of A or just play it in standard G tuning . I did some research on this tune and found that when Ralph first recorded it that they did it in standard G tuned up a 1/2 step ? If you go to my home page and click on photos in the upper left corner I have taken three different pics of the tab. Quality is not the greatest .If you cannot see the tab well enough e-mail me at bmiller9@yahoo.com and I can send you a very clear scanned copy .
Edited by - brudford on 11/17/2009 11:21:07
erstokke - Posted - 11/17/2009: 13:57:17
Thanks, great song, great video and great tab.
I have two questions, though: 1) Did you leave out the backstep around bar 3 of the B-part? 2) Have you tried playing it in sawmill tuning? It has a pentatonic melody which I think goes very well with sawmill tuning. If played in regular G (like Ralph), I think it looks from the video like he is fretting the second string at the first fret, never playing the open B string (the pulloffs in bar 2 and 6 and bar 6 of the B-part).
 My banjo is pre-war. Pre the next war Jan Erik from Norway
oldwoodchuckb - Posted - 11/17/2009: 15:16:58
I have seen film of Ralph holding down that 1st fret most of the time. I find that an easy way to do a very modal section of a Major/Mixo tune - Like "Kitchen Girl"
I've never tabbed out CMB since I think it is a copyrighted tune
Besides it is so close to PD tunes there doesn't seem to e much point. If you can play two tunes in sawmill you can play Clinch Mtn.
http://www.rocketsciencebanjo.com Rocket Science Banjo - Advanced Clawhammer Techniques for beginners and long time players alike. Plus videos and 25-40 EZ Clawhammer Tunes. & check out "How To Mold A Mighty Pinky" at: http://www.pricklypearmusic.net banjo brad's great banjo site
chip arnold - Posted - 11/17/2009: 17:57:00
CMB is the old time tune Lonesome John but with two beats added to the 3rd measure of the B part. Here's a version of Lonesome John: http://www.youtube.com/watch?v=U6b1...ture=related Your tab squares the melody up which turns it back into Lonesome John. Listen carefully to the B part when Mr Stanley plays the tune. Not sure where you're going with the 5th fret notes on the 3rd string. Most OT players use sawmill tuning clamped up 2 frets. Try Pretty Little Dog while your at it. It's another member of the same family. http://www.youtube.com/watch?v=se13k0SNghU
********************** Take what is given Give what is taken
Chip Arnold
brudford - Posted - 11/17/2009: 19:48:15
Chip you guys are good ! I can honestly say that I have never heard of the tune Lonesome John .Really close to Clinch Moutain Backstep , makes you wonder ? I was working on a song the other day for classical guitar written by Ferdinando Carulli . I was thinking if you just speed this song up a little you have the Beatles Black Bird . I think song writters often unknowing or somewhere in their sub concious draw from these musical experiences and use them . Let the lawyers sort it all out . When I tab out a new song I usually do not try to tab each note perfectly especially with a bluegrass tune. I try to capture the feel of the song . For example , with Clinch Mt. with the D string sliding from the 4 th fret to the 5th fret alot of tabs will use a brush stroke on the G, B and D string . Try it with my tab it works . However, what I here Ralph Stanley playing is a more Staccato sound . Infact I would say I hear every note as short and detached . When I get the time I will put up a music file with a guitar backing rhythm . Thanks for the comments .
Edited by - brudford on 11/17/2009 19:55:17
brudford - Posted - 11/17/2009: 20:16:30
http://www.youtube.com/watch?v=2Kka9npO064 Lonesome John ,Hunter Robertson
I did some research on the tune Lonsome John . Check out the above link of this tune being played at a faster tempo . Do you here a little Clinch Moutain in there ? This is for friendly conversation only ! do not want to start a copyright discussion . I would guess that Lonesome John falls into the catagory of traditional songs . http://www.youtube.com/watch?v=GJqULQpGTQ0 Ralph Stanleys Clinch Moutain .
Edited by - brudford on 11/17/2009 20:22:31
janolov - Posted - 11/17/2009: 23:49:28
Lonesome John and Clinch Mountain Backstep is basically the same tune, the difference is that CMB is crooked. I haven't heard of any copyright conflict, so I guess both are traditional.
I can hear CMB in Hunter Robertson's playing of LJ, but he has elobarated his version a little. On Hunter's music page on BHO he says that he learned it from father who called it Clinch Mountain Backstep, but he now plays another version.
I learned LJ in sawmill tuning from Miles Krassens book, and from R.D. Lunceford's Drop Thumb album, and the tabs there are very close to your tabs of CMB, except for the tuning. I think in both they also tell that LJ and CMB is the same tune.
The tab section at BHO contains about 10 different bluegrass versions of CMB but none of Lonesome John. You can post your version there.
The Fiddler's Companion (http://www.ibiblio.org/fiddlers/LON_LOP.htm) gives the following information about Lonesome John and Clinch Mountain Backstep, but there is no connection between them mentioned:
quote: "LONESOME JOHN. Old#8209;Time, Breakdown. USA, Kentucky. A Aeolian (Krassen): A Dorian (Reiner): A Mixolydian (Titon). Standard or AEae tunings. AAB (Krassen): AABB (Reiner, Titon). Titon (2001) notes that his source, John Salyer (1882-1952) played his ‘c’ notes at an intonation between a ‘c’ natural and a ‘c’ sharp. This is not a mistake or poor technique, but a legitimate characteristic of the tonality of many old-time fiddlers. Salyer himself called such intonation ‘wild’ notes. Mike Yates (2002) believes this tune to be related to “Salt Creek,” “Salt River [2]” and Hobart Smith’s “Pateroller [1]” (the latter is not the tune that is alternately called “Run, N….r, Run”). Sources for notated versions: “Fiddlin' Sam Kelly” (i.e. Santford Kelly {1898-1973} of West Liberty, Morgan County, Ky.) [Krassen]; John M. Salyer (Salyersville, Magoffin County, Ky.) [Titon]. Krassen (Appalachian Fiddle), 1973; pg. 38. Reiner (Anthology of Fiddle Styles), 1979; pg. 28. Titon (Old-Time Kentucky Fiddle Tunes), 2001; No. 95, pg. 124. Appalachian Center AC003, “John M. Salyer, Home Recordings 1941-42” (1993). Greenhays GR 710, John McCutcheon #8209; "Fine Times at Our House" (1982. Learned from Scott Boatright, Fort Blackmore, Va.)."
"CLINCH MOUNTAIN BACKSTEP. Old#8209;Time, Breakdown. G Dorian. AABB. Composed and recorded by banjo player Ralph Stanley in clawhammer style in the 1930's. Fretless/Alcazar Records, Sandy Bradley #8209; "Potluck and Dance Tonight." King/Gusto Records, The Stanley Brothers and the Clinch Mountain Boys. Rounder 0132, Bob Carlin #8209; "Fiddle Tunes for Clawhammer Banjo" (1980. Source: Tracy Schwartz, who calls it "Liza Jane")."
Note that they say that Ralph played it in clawhammer! Edit: Mike Iverson has tabbed a (or two) clawhammer versions of Clinch Mountain Backstep in sawmill tuning: http://www.bluesageband.com/Tab%20p...backstep.pdfhttp://www.bluesageband.com/Tab%20p...ackstep2.pdf. Jan-Olov
Edited by - janolov on 11/18/2009 11:07:31
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