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budbennett - Posted - 11/11/2009: 12:23:35
very tempting!
Eastbaygeorge - Posted - 11/11/2009: 12:27:30
I met Bill Spear about ten years ago when we went to IBMA in Louisville. Very nice fellow and a talented machinist. I played one of his openbacks. It looked (as you can see) majorly weird, but it played pretty good. He had a resonator with him but it was missing a string or something so I didn't play it.
The following year I went to IBMA again and he let me borrow a lovely Gibson that he owned for the weekend. As I said, a sterling fellow. He since moved to Florida, last I heard, and I have lost touch with him.
Eastbay George
paadams - Posted - 12/01/2009: 11:54:02
I just found Bob Bailey who now owns the patents and continues on with the Spear banjo. Bob helped Spear further the designs and is now in a very limited production. Bailey had a display set up at the Sertoma Youth Ranch Bluegrass Festival this past Nov. I spent some time talking to him and looking the models he had with him. I was very impressed with the innovations, the look of them and the sound. I might have ordered one but Bob was unable to set up an appointment with me while I was in Fla. so I couldn't play one enough to buy one and he is not actively working on new ones.
Check out his web site at spearbanjo.com Bob has a good history and photos of the Spear/Bailey. I sure would like a little time on his latest production with a conventional tone ring and flange. Very cool but it wasn't set up. Quick detachable neck for travel.
Paul Kleinwald
paadams - Posted - 12/01/2009: 14:47:51
You got it Bill. "Oh Wow!" is right. It is too bad the Spear Banjo web site doesn't have close up photos and lots of different angles. I loved the way he worked out an integrated 5th string capo.
His all silver banjo had a great look too. I wasn't crazy about the look of the resonator but the overall effect was neat. I can just imagine a picture of Don Reno in one of his pastel outfits, white shoes and a silver banjo!
I did try Robert Bailey's open back model. It was not set up for the way I play so I didn't plaly it much but it was loud and had good tone with his turned single piece aluminum rim with no separate tone ring or tension flange.
Paul Kleinwald
3fingers - Posted - 12/01/2009: 15:05:46
I checked out the website and that really is a different banjo. The bluegrass banjo, the tone ring is integrated into the pot and it looks like a standard shaped flathead but it is machined for a bell brass tone hoop on the tonering, now I'm REAL curious as to how to sounds. I looked at Don Wayne's model and noticed the neck, I wonder if that how it is or if its not been completed. I dont think that would be to comfortable if that is a completed neck but I guess you wouldnt know if you didnt try it out.LOL
Brett - Posted - 12/02/2009: 14:50:22
I met the old Spears guy maybe a decade after I'd met a local guy here who made an all metal banjo. The first guy (local guy), only made his own pot assy and if I recall it was all gold annodized aluminum. And, he made his own wood neck/resonator. It was light and played kinda normal and sounded ok. Not a full mastertone sound but "ok" and you could kinda discount the thin tone due to the massive weight saving, this guy had other instruments, this was just his "idea" for standing 16 hours off and on at festival kinda thing and from that perspective (plus he made it where he worked out of THEIR stock WHILE he was paid and THEY weren't looking), I guess I could appreciate that backdoor special. Why not use machine shop leftovers the boss was gonna throw out at some point and make a toy at slack times (on their machines) while you're getting paid??? What's the harm. But, the old Spears guy didn't use lightweight materials and those things had metal necks too and the weight and tone and playability and funky ideas certainly left an impression on me.
paadams - Posted - 12/02/2009: 19:32:16
Brett,
The current models are just a little lighter than standard quality American resonator banjos. These newer ones are definately not funky. Odd, yes, but not funky. Bailey can apply a wide variety of finishes and colors including anodized. I hope he gets back into production. I think there is a market for a neck that doesn't change with humidity and comes off the rim with little fuss. Better yet the neck goes back on prcisely the way it was originally set up. I think he said he was trying to develop an adjustment mechanism to raise and lower the neck where it joins the rim. The finger board also has a way to adjust the depth of the inverse bow.
Paul Kleinwald
Brett - Posted - 12/03/2009: 18:32:40
Then the newer guy certainly changed materials or something, the original designs were VERY heavy and the neck was like channel iron/angle iron. Nothing comfortable or light or good sounding about the original design. I'm glad the newer guy has improved those items. And, I can't argue a stable neck is a bad idea, nor a lighter banjo particularly for those all day standing up in 90 degree festival kinda things. The original design was kinda weird and klunky and MUCH heavier than any Les Paul or banjo I'd ever picked up. I'm gonna guess (but it's been a couple decades since I played those) maybe 18 pounders or so. I don't mean to knock the "new" guys design improvements or his business, I wish him the best. I'm sure there is room for everyone in the market, particularly if they aren't concerned with making a living out of building them and it's only a hobby.
Haskells RB3 - Posted - 12/03/2009: 19:04:03
I was wondering how these sound and play. It reminds a little bit of a Merlin banjo.
paadams - Posted - 12/03/2009: 21:34:57
I haven't played a Merlin. I have played two Ode banjos with aluminum rims, one open back and one with a resonator. I think they were both archtops ( it has been 20 years) . Like I said, I didn't spend much time playing them but the open back Bailey uses sounded a bit better, I think, than the Ode. The Ode with the resonator sounded good enough for me to tell the owner if it was ever for sale to let me know.
Paul Kleinwald
Brett - Posted - 12/04/2009: 04:04:25
I'm trying to recall on the old alum rim Odes, it's been 15 years or so since I picked some guys. As I recall, it was heavier than a masterclone type banjo and didn't sound as good (to me). I guess I'm into "better" mousetraps IF they truly are.
paadams - Posted - 12/04/2009: 10:41:05
Brett,
The alum. Odes are heavy especially if you expect them to be light because they are alum. And you are right, they don't sound better than a Mastertone. You have to remember these were much less in cost compared to even the low end Mastertone. It would be interesting to compare the Ode open back with an RB100. I had an Iida arch top ten years back and I would buy the Ode aluminum arch top with a resonator given the choice, no contest.
Paul Kleinwald
paadams - Posted - 12/04/2009: 11:06:38
FYI I own a cool aluminum fiddle with a tiger maple neck. A friend/musical buddy who is a retired mechanical engineer started experimenting with making an aluminum fiddle. By the time he had produced #4 I asked him to make me one. We worked on the decorative details and I colored and finished the neck. love it. His name is Robert Langdon.
Just to add to the outrageous, Langdon started to make a few mandolins from the left over vinyl coated aluminum siding from his house. He even made a resophonic two cone fiddle from aluminum and plexiglass that sounded a little like a Stroh violin. The plexiglass is over the cones and it is a sight to behold. To top it off he has made a few fiddles from plastic Coke bottles and a lap steel from a wooden toilet seat complete with toilet paper holder! He delights in going to festivals with the Coke bottle fiddle and lap steel just to bring smiles to the crowds that gather to gawk.
Man's only limits are the limits of his immaginaton.
Paul Kleinwald
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